This one is for you, Alex. The only person I know who is curious about the composition of my drawing “A God That Sleeps”. For those of you who have no clue on what I am talking about, please refer to my previous entry first.
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The driver for the theme of a sleeping God is natural disaster, represented by the volcano in the center of the drawing. Behind the volcano is an elephant. You may not see its ears – though I did struggle to fit those into the picture and have decided against it – you should however see the trunk, the tusks, and the back (and the tail too!). Upside down is a whale. Elephant is the largest land animal now living; whale is the largest mammal living in sea. Together they represent the land and the sea; the legacy of our world. Initially, I wanted to draw the sky and the sea but have chosen the animals instead.
I am much affected by the recent news on the environmental impact due to climate change. And that is the disaster I am trying to depict. Later, I have added a sea turtle (the head is on the right with the eyes that have the same style as the elephant) that largely encompasses the entire drawing, for a few reasons. First, it fits the theme of the animals and the volcano. Second, turtle lives in both land and sea so the engulfment of the other two animals seem appropriate. Third, I remember seeing ancient drawings that depict our ‘flat’ world as a turtle (I could be wrong!).

Within the perimeter of the volcano is a sleeping God and a man. Only the face of God is shown, with eyes closed. When I compose this, I have Michelangelo’s “The Creation of Adam” in mind (on the ceiling of Sistine Chapel). Instead of God creates man in his own image, I deliberate choose a contradiction that the two do not resemble one another, that man looks nothing like God (and God looks awfully like us!). Also, I have recent read the latest fiction written by Piers Anthony from the Immortality series. That reminds me of the storyline of how the Incarnations collaborate and overthrow the Office of Good – a.k.a. God – for God no longer responses to us. Hence this composition of man attempting to awaken the sleeping God.
Another point of interest to note is that when I compose this face of God together with the elephant and the whale, I had in mind the stretching arms of God (depicted by the elephant’s trunk and the whale’s tail) as though God puts his arms behind his head, sleeping.

How can a drawing with a man and without a woman? I love balance. And I have deliberately space out the heads onto each one-third section of the drawing. On the left, the turtle and the whale; in the middle, the man and God; and on the right, the woman and the elephant.
In the old days, mankind invented many ways to interact with God, to please God, and to tame God’s wrath. And I have in mind the sacrifice of the virgin into a volcano for this purpose. I have also decided on the 7 strands of hair. According to the Bible, the number 7 signifies completeness, perfection. She is not just any virgin, but a perfect one.
Can God be awaken in time before the volcano destroys the world? No one knows. Every entity in this drawing are waiting.

Like Alex has rightfully pointed out, buttons and zips have become a ‘trademark’ of mine. I am obsessed with putting this ‘kinetic’ interaction into my drawings, urging the viewers to unlock the mystery within.
I have resisted writing how I compose this drawing because it may read silly (and long!). Some may think that I am a lunatic. But for the few curious ones, well, the composition is not at all random. Now that I have probably said all that I should, I better … zip! Thanks for your interest.

Related Blog Entry: Making Of “A God That Sleeps” (And The 9 Years Of Togetherness) – for the original drawing.








