Categories
Action & Thriller Foreign Movie Reviews

Chocolate – That Thai Girl Can Fight!

Why is this Thai film so named as “Chocolate”?  I still have no clue.  Maybe I was too absorbed into the hot, explosive, fast paced, bone cracking, humanly impossible fighting sequence, I walked out of the theatre (at 1.30am) feeling shocked and awed unable to process anything like: Where or who is the chocolate?  And our Asian movie marathon continues.

“Chocolate” does put something new onto the table.  The most obvious of all is to have a young sweet heroine (“Jeeja” Yanin Vismistananda) as the main character fighting (and cracking) against gozillian men.  I personally welcome this aspect of femininity in a popular Thai action genre because it draws emotion and feeling and sympathy towards the heroine.  Besides, a heroine is allowed to cry when the plot calls for.  With a male main actor, the action is usually coupled with a dose of humor (like the Hong Kong actor Jackie Chan’s movies or the Thai actor Tony Jaa’s “Ong-Bak” and “Tom Yum Goong”).  With a female actress, it opens up doors of vulnerability that seldom seen in a genre dominated by men.

Collaboration with a Japanese counterpart in a Thai movie, I think, is pretty fresh (don’t you love the hot pair of Thai-Japanese couple?).  And it does expand the mode of combat to include the long Japanese sword as well.

“Chocolate” has devoted the first 30 minutes to develop the character of an autistic girl from conception to discovering this awesome fighting skill of hers.  The next 1 hour is packed with intensive fight scenes that made the audience screaming “ouch” all the way.

“Chocolate” does not have the old-fashioned scene repeat in different angles as the same pair of director choreographer did for “Ong-Bak” and “Tom Yum Goong”, which to me is good.  It is still what it is: a Thai action film that won’t satisfy your intellectual mind but will certainly get your adrenalin flowing.  I personally would love to see more of “Jeeja” in the future.  Perhaps a pair up between her and Tony Jaa.  Here is the trailer.

PS. I read from a Thai that in Thailand, it is darn hard to collect money from those who owe you.  They will have no problem relating to this film.

Categories
Drama Foreign Movie Reviews

Ayat-Ayat Cinta (Verses of Love) – More Than Just A Romance Drama

With close to a quarter of a billion population, you would have thought the filmmaker would pick a better looking Indonesian actor who is worthy of having four girls falling head over heels in love with and ends up marrying two.  Well, at least the filmmaker picks the right pair of drop dead gorgeous actresses for “Ayat-Ayat Cinta” – officially translated as “Signs of Love” and literally means “Verses of Love”.

I have such a high anticipation for “Ayat-Ayat Cinta” because an Indonesian film worthy of the International market is rare and I do have a certain affection towards Indonesia.  Besides, I thought Cynthia would love to watch a film in her mother tongue.  On top of that, I did take language lessons back in Indonesia donkey years ago so I am not 100% clueless on the dialogues like other foreign films.

Let’s put things in perspective here.  According to Cynthia, majority of the Indonesia productions are either in the genres of horror or slapstick comedy or teen comedy.  To take on a romance drama that explores such a wide range of topics even with a budget that well exceeds the average cost of an Indonesian film (I read it’s double) is an admirable effort.  I can certainly imagine that if I was an Indonesian, I too would feel proud watching this movie.  With a script of “Long Live Indonesia” in the foreign land of Egypt, who wouldn’t?

A few feel good factors and a few really good eye candies aside, “Ayat-Ayat Cinta” has attempted to shine a more balanced light on Islamic as a religion of patience and sincerity.  This 126 minutes film, I believe, is a timely answer to the 16 minutes controversial short film “Fitna” by Geert Wilders that portrays Islam as a religion of terrorism (shocking images, avoid if you have a weak stomach).  It is a balanced view because while the traditions are observed – such as the prayers, Islamic teaching, and how men and women should not touch each other unless they are related – it does tackle the social issues such as domestic violence, rape as well as the challenge of a polygamy marriage.

There are parts of the movie that move me a great deal.  It portrays the emotional aspect really well, certainly believable.  As someone who is a non-Indonesian, I found myself talking to Cynthia a lot during the show to seek clarification.  For instance, I did not know that during an Islamic wedding, the bride’s father holds the hand of the groom over the Quran with the bride sitting on the side and that signifies a transfer of “responsibility”.  I was quite shocked to see that as an equivalent to the Western “exchange of wedding vow”.  Also, because the dialogues have a mix of Arabic and Bahasa Indonesia and the characters who are supposed to be Arabians speak in Bahasa Indonesia, it could be quite confusing for those who does more than reading the subtitles.

An extremely slow moving movie (I think this one is even slower than “Dance of the Dragon”), what it lacks is the quality of production and a tighter and more realistic storyline.  However, for those who are into foreign movies that expose human emotions and are original – in the sense of an Indonesian student in Egypt and eventually marries a Muslim and a Christian – “Ayat-Ayat Cinta” may satisfy a different taste bud of yours.

On a lighter note, I don’t think any guy on earth would mind the headache of having Carissa Putri and Rianti Cartwright as wives.  I personally …

OK, I have watched the Fann Wong’s “Dance of the Dragon” follows by “Ayat-Ayat Cinta”.  Can you guess which one I am going to watch next?  It’s so obvious!

PS. For those who are interested to read more on Islam, check out my book review of “Islam By Karen Armstrong – A Short History”.

Categories
Book Reviews Fiction

Paulo Coelho – Brida – Witchcraft, Bridging the Visible and the Invisible

OK.  Seldom do I need to finish reading a book, write a review, and return it to the library before midnight.  This is going to be an interesting experience.  Usually after I arrive at the last page of a book, I would revisit all the pages I noted that are pivoting to the development of the story for completeness’s sake.  Speed blogging at its best without compromise!

It is interesting that only in year 2008 the English translation of “Brida” is published.  The original version (written in Portuguese I presume) was published in 1990 sandwiched between Paulo Coelho’s two classics “The Alchemist” (1988) and “The Valkyries” (1991).  “Brida” lacks the inspirational impact these two classics have and it also lacks an engaging storyline as compares to some of his recent works, in my opinion.

His recent work “The Witch Of Portobello” (2006) paints the journey of the witch Athena loosely based upon Jung’s four stages of individual progression: Persona, Shadow, Soul, and Wise Old Man or Great Mother.  As for “Brida”, the author takes a deeper look into witchcraft – the four ways a woman can communicate with the Universe through reincarnation: the virgin, the saint, the martyr, and the witch.

To bridge the visible and the invisible is magic.  And how do some manage to get there?  According to the book, there are two traditions: the Sun (for wizards) and the Moon (for witches).  Strange concept, isn’t it?  There are more to it.  Paulo Coelho links the nine gifts that these two traditions took care with St. Paul’s first epistle to the Corinthians.  For those who are familiar with the Bible, these nine gifts should not be foreign to you: the word of wisdom, the word of knowledge, faith, healing, the working of miracles, prophecy, the discerning of the spirits, speaking in tongues, and the interpretation of tongues.

The book has some strange linkages to the Virgin Mary, Jesus, and the Catholics.  You may know that at one point in time, witches were burned by the Christians.  In fact, the rituals – described by the author in a separate warning note as the practices of the Tradition of the Moon for centuries – are somewhat related to the hardship that the witchcraft has lived through.  From within the story, Catharism (a Christian religious sect with dualistic and gnostic elements) is mentioned and because there is a linkage to historical events, it makes me wonder how much is factual.  Perhaps, some people do able to alter their state of consciousness and observe auras.  Looking at today’s world, there are people who claim to be able to do that.  There are even machines that can take pictures of our auras.

Bizarre surreal tradition of witchcraft and to some extend wizardry aside, “Brida” is loaded with fragmented inspirational messages.  Check this out.  How many of are you (like me) constantly trying to find a right path in life – be it as love, career, or anything in general?  Sometimes we set off down a path because we don’t believe in it.  And it is so easy to prove that it isn’t the right one.  But when things start to happen and the path does reveal itself to us, what do we do?  We become afraid of carrying on.  So true.  And why do we experience disappointment, defeat, and despair at times?  Well, according to the author, they are the tools God uses to show us the way and to encourage us to have the courage to make mistakes, to risk failure and disillusion, and basically prompting us to keep searching, keep looking.

Some of the concepts – though are not new to me – do make me stop and think.  If I want to find out about something, what shall I do?  Plunge straight in!  I know it is so obvious but more often than not, I avoid taking the plunge and instead, procrastinate just for another day, and another.  How about doubts that I have, doubts that get constantly generated off my head?  Maybe I doubt if I am good enough to do this or that.  Maybe I doubt if this or that will happen.  According to the author, the moment we stop doubting is the moment we stop moving forward.  And I often think that – in contrary to the book – changing on the outside is easier than changing on the inside.  Come to think of it, I don’t think the way I am perceived externally have changed much over the years (still the shirt and tie at work and blue jeans after all).  But I have changed the way I perceive the world and the people around me from within much over the same period.  My favorite message?  Finding one important thing in life doesn’t mean that I have to give up all the other important things.

So true.

Go back to “Brida”, the book has devoted much of its content in the sexual union between a man and a woman.  In its own words, “when male knowledge joins with female transformation, then the real magical union is created, and its name is Wisdom”.  For the conservative minds, the idea of experiencing communion with God by opening all the five senses during sexual union could be hard to accept.  To that end, instead of hearing my interpretation, here is an excerpt.

“Because anyone who comes into contact with sex knows that they’re dealing with something which only happens in all its intensity when they lose control.  When we’re in bed with someone, we’re giving permission to that person not only to commune with our body, but with our whole being.  The pure forces of life are in communication with each other, independently of us, and then we cannot hide who we are.” – Paulo Coelho, Brida, 128.

So, is “Brida” a must-read?  I think if you are new to Paulo Coelho, you may wish to start with some of his other classics.  For the fans, I guess we just have to read it right?  I am not sure why Cynthia loves “Brida” better than “The Witch Of Portobello” …

Wait, “Brida” is also a book about a love so strong but yet cannot be possessed.  Could it be …

To end this entry, let me share with you two memorable quotes from the book.

Nothing in the world is ever completely wrong … even a stopped clock is right twice a day.

And by an English poet William Blake.

What is now proved was once only imagin’d.

PS. I made it before midnight!  Time now is 11.20pm and I am heading to the library to return the book.

Categories
Drama Movie Reviews

Dance of the Dragon = 1/2 Star?! What Are You Smoking? Shoot the Scriptwriter If You Must

Com’on people.  Half-a-star and you buy that?  If someone is sending a DVD of this movie to me as a Christmas gift, I promise I will watch it before Easter (got to love that one critic I heard using cold turkey analogy though).  Putting “Dance of the Dragon” just half-a-star above Paris Hilton’s “Hottie and Nottie” is just wrong.  You hear that “The Straits Times”?  You’ve got to review your movie review framework.

Because this film has such a bad publicity in Singapore, none of my friends wish to watch this “trash”.  But from what I read in the Internet, there are people who enjoy watching this film.  People who are not just from Singapore, but Australia, Japan, and Korea.

So, why do the Singaporeans and the media dislike this production so much?  And what do I think of this film after watching it alone?  Here are some thoughts of mine.

  1. Cinematography – “Dance of the Dragon” is an art-house type of production.  It is meant to be a slow moving film.  The cinematography is beautiful.  Pay attention to the vibrant colors, the angles, and the composition of each frame.  That is art.  One scene, there is an old man practicing Tai Chi on a rooftop.  The fluidity of motion and contrasts with the lines against the backdrop.  Observe how his hands almost touch the lines in the background and never quite cross them.  There are scenes that are juxtaposed with independent plots that happen in different locations at the same time.  The dance scenes especially the one towards the ending, albeit a tad too short, move me.
  2. Soundtrack – The symphonic soundtrack, I think, supports the film and the scene development really well.  I am actually surprised by the quality as it is something that often overlooked in a non-Hollywood production.  For those who think that the music is too slow and boring, well, it is a slow moving film to start with.
  3. Script – If someone’s head needs to roll, that would be the scriptwriter.  What are you thinking?!  I think a lot of negativity stems from a poorly written script with poorly written dialogues and poorly written storyline.  It is an immature, unrealistic, and unnecessary piece of work.  Boo!
  4. Chemistry – The neither-here-nor-there love relationship between the characters can be quite frustrating to watch, especially for those of us who are so used to the dramas of the Korean, the Japanese, and the Hollywood.  Maybe Singaporeans are just not dramatic enough?  None of my Singaporean friends do seem to engage in some deeply passionate love affairs even to the extend of a suicidal love-me-or-I-will-die mentality like in Hong Kong (where I was born).  If it was up to me, I would totally rewrite the love story and put more at stake.  I would have the characters furiously kissing each other, being caught cheating, and being caught in a downward spiral fall into a love so strong that … you are going to cry.  That’s right.  Hire me, you hear me?
  5. A Theme – Horrible scriptwriting aside, “Dance of the Dragon” does have a consistent theme and it runs in parallel both with Jang Hyuk’s as well as Fann Wong’s character.  It is about dare to dream, pursue your dream, and it is not about wining but becoming the person you want to be.  Cool, no?
  6. The Cast (The Korean) – The Korean (heart-throb?) actor Jang Hyuk who made famous in the romance drama film Windstruck (2004) is certainly my favorite actor in this film.  He acts well in both the Korea portion as well as the Singapore portion of the story.  And he is charming!  OK, to be frank, I find his dance moves really stiff.  But then again, if you follow the storyline (at least the horrible scriptwriter gets this one right), it just says that he loves to dance and he dreams to be a dancer.  It never says that he is born with this natural talent that without any formal training, he is going to conquer the world.  Can I relate to this aspect of his character?  Certainly I can.  Certainly many people can.
  7. The Cast (The Singaporean) – OK.  Fann Wong speaks English can sound a bit odd.  Perhaps we are so used to Singaporeans speaking Singlish with the accents mixed with Chinese words and the lah.  I thought she has done better than what I have expected – proper English at least (again, refer to point 3 for bad lines).  Surely she would have done a much better job in Mandarin.  But her language aside, she looks celestial on the big screen.  Those dresses, and shoes, and even her hairstyling and make-up – immaculate.  Look, Fann Wong is not exactly a 18 years old and at her age, she is really stunning.  Do her tears move me?  Sure they do.  Does she look elegant?  Without a doubt.  Do I love her?  Absolutely!
  8. The Cast (The Chinese-American and Hawaiian descent) – Trained in Bruce Lee’s signature martial art Jeet Kune Do, I think Jason Scott Lee has added a dimension of authenticity to the film.  Granted that he should show more facets to his acting (again, please blame the scriptwriter) and you may only get to see a different side of him towards the end of the film, he has a role to play and given the circumstances, he plays it well.
  9. Authenticity – I didn’t know that dance moves can be documented and the film does provide me with a peep into the dancer’s world.  I read somewhere (from a Korean) that the Korean village scenes shot in Singapore is pretty authentic.  And how about the Singapore scenes?  Well, I must say there is a certain level of disconnection between the Central Business District outdoor shots (together with a sparkling new Comfort taxi) and the shots from the film set.  It is as though they are of a different decade.  I am OK with that.  Actually I am quite happy to see some local culture and traditions that unfortunately in a worldwide scale are giving way to the post-modernization and, to some countries, post-colonial era.

OK.  Now I feel a lot better.  Although “Dance of the Dragon” is far from being a classic, it is even further from that miserable unfounded 1/2 star rating.  I suspect that this film is going to do better in overseas, which is rather sad.  Seeing Singapore and a Singaporean actress on a big screen does give a lift to my heart.  Shouldn’t we all be just a tiny bit lenient on “Dance of the Dragon” rather than wearing our “not-bad-equals-to-pretty good” hats?

It’s an art-house movie.  Rate it as one if you must.

Categories
Book Reviews Fiction

Clive Barker – Mister B. Gone – How Open Is Your Open Mind? Can You Read A Book Backward?

Whether or not you will find “Mister B. Gone” rewarding hinges on whether or not you “get it“.  Since I am a responsible netizen, I am going to self-censor this entry with a NC-16 rating due to my personal views on homosexuality and religion.  Besides, why would we wish to expose readers younger than 16 years old to a book full of grotesque and evilness?

But I got it so I find “Mister B. Gone” not entertaining, not pleasant, but a rewarding read.  I am going to tell you what it is in just a bit without giving out spoilers that may affect your reading pleasure – that is if you still decide to read this book after you are through with this review.

Many people think that Stephen King is a master of horror stories.  Stephen King’s stories are not scary, the earlier work of Clive Barker are.  I have read all his 9 fictions up to “Everville”, which is where all the good stuffs stop.  I have read some of his recent works and they are not as inspiring.

I often find Clive Barker’s ideas original.  “The Thief of Always”, for instance, is a rather short story on someone stealing the “always” from the kids.  Imagine, things that “always” happen do not happen anymore.  How cool the idea is that?  I also like “The Great and Secret Show” and its sequel “Everville”.  I have even endured the close to 900 pages “Imajica” and loved it.

So, how do I find “Mister B. Gone” (year 2007, 256 pages, hardcover), a story of a demon who finds himself fished out of Hell and now walks the Earth?

It is known to the world that the author lives with his partner David Armstrong.  And to that end, I didn’t know what to feel when I discovered that the main character is perhaps a gay demon.  OK, it was not explicitly mentioned that the demon is gay but he is emotionally in love with another guy.  Bottom line is, for sure I can’t relate.  But I suspect another group of readers may be able to.

“Mister B. Gone” also makes reference to the Christian Gospel, the Vatican, the Pope, and the Archbishops and cast them into less than positive light.  Again, it is a formula that has been tried and used millions of times and the idea of a battle between the Angels and Devils is also not new.  At times I wonder what would an alternative reality be if someone replaces these ingredients with the Quran, the Ulama, and the Imam and writes the same storybook?  I think of Salman Rushdie (the book “The Satanic Verses”) and Geert Wilders (the short film “Fitna”).  And why does the Christian world so tolerance towards such a blaspheme?

Freedom of speech, I got it (though not totally agree with it).

Nothing is pretty inside “Mister B. Gone”.  Nothing pretty survives inside “Mister B. Gone”.  It is not a horror fiction.  It is more like a fiction of grotesque.  And it is written in such a strange way that this (gay) demon supposes to keep talking to you (as a reader) and begs you to burn the book.  He even threatens you, insults you, and makes you feel very uncomfortable to continue reading the book.  And why would anyone wish to continue reading a book that even the main character is far from lovable – an ugly, mutilated, evil albeit intelligence demon committing grievous crimes that make the World War II atrocities look mild?  Granted that the human counterparts within the plot are not doing things that we are proud of either.  But I wouldn’t philosophically read too much into that.

Enough of suspense.  So, what is it?  If you are observant enough, it may occur to you that the book is created backward based on one random sentence one character says.  I suspected that after I have spotted that tiny sentence and all of a sudden, the title of the book makes so much sense when you tie it back to the ending (at first I thought it was due to “Mister B. Be Gone”, which also makes sense as that line is taken from somewhere in the book).  Usually the author’s note of acknowledgement is at the beginning of the book right?  Guess where this note is?  And I often wonder why the author keeps repeating the key events of the story that happen in the past.  Now, I think if I read the book backward, section by section, I may still be able to follow the flow of events.

Isn’t that brilliant?  A book version of the Eagle’s song “Hotel California” (rumor has it that when played backward, there is a hidden message). 

To be frank, the last 6 pages of the book is very rewarding.  It does change your perception of the story in a big way provided that you can withstand 250 pages worth of torture – a torture not because the book is badly written, but because it is full of agonies and grotesque in graphical details, insults and verbal abuse to say the least.

Categories
J Pop Music Reviews

Utada Hikaru – Heart Station – Classic It May Not But What A Soulful Voice She Has!

If you have purchased Utada Hikaru’s latest album lately, you may wish to check if track 10 is truncated towards the end of the song.  The friendly assistant at HMV (Citilink) was ripping the plastic covers of more than 10 of her CDs open including a newer batch and an older batch and they all have the same problem.  In fact, I have not seen so many CDs ripped open right in front of my eyes in such a short time frame (obviously I don’t buy that many CDs at one go, ever).  The sight and smell of a whole stack of new CDs was enough to put me in a temporary state of euphoria.  Need not to say, since we could not find one that is not flawed, I returned my CD, paid S$1.05 (duh!), and got myself a S$20 HMV gift voucher instead.

Judging by the fact that “Heart Station” is still reigning over the HMV Japanese and Korean Chart, I suspect many may have bought this Malaysian pressed CD and thought that a truncated song #10 is as intended.  But it isn’t.  I headed over to the listening station at HMV Orchard and that one was OK.  Take it back for a refund or exchange (better check on the spot!) if yours is a defect like mine.  Strange to say, I was told that I was the first one returning the CD (I bought it quite some time ago) while all her “Heart Station” CDs in the shop seems defective.  What happens to all who bought the disc?  I have no clue. 

I have still yet to catch the Utada fever (perhaps it is heating up somehow) purely because a number years ago, in retaliation of my fanatic support for the – in Cynthia’s own words – ear-piercing Ayumi Hamasaki, she has joined the Utada camp.  Immature we are, I know.  Besides, they both have different styles.  Utada is more Pop / R&B while Ayumi is perhaps more Pop / Rock?  But Cynthia and I have been … rivals ever since.  She would join the Justin camp and I would pick Justin’s ex-girlfriend Britney (!) instead.

To put things in perspective, the first album released by the then-16 years old New York born singer songwriter still holds the record of the most copies ever sold in Japan (close to 8 millions).  And her “Single Collection Vol. 1” remains as one of my top picks within my Japanese CD collection.

Perhaps I am still very hung up with her classic hits like “Automatic”, “Addicted To You”, and “Wait & See”, her subsequent releases don’t quite hit my spot.  So how does “Heart Station” measure up?

I think “Heart Station” leaves a deeper impression on me than her previous one, “Ultra Blue”.  Her voice, I must say, sound a lot better than her earlier work.  I love the improvisation and the soulfulness.  I especially like her lower register that is uncommon amongst her Japanese peers.  There are some songs within the album that I absolutely love such as “Fight the Blues”, “Heart Station”, “Beautiful World”, “Celebrate”, and “Prisoner of Love”.  There are also some songs towards the end such as 「ぼくはくま」 and 「虹色バス」 that I don’t think I really get it.  What a strange way to end an album.

A melody filled song crafting effort with chunks of surprisingly interesting arrangement is probably one of the reasons why I enjoy listening to this album.  She may not have the stage presence like other mega J-pop stars (I also owned one of her live DVD) but she does have the voice and a list of enviable accomplishments in the past 9 years of her music career.

It has been quite a difficult task to find a video of hers that I can feature here.  The closest one I can get is one anime made by a fan.  Pretty good actually.

Categories
Hip Hop R&B Music Reviews

Kat DeLuna – 9 Lives – Mad Vocals But Flawed Album Execution

Once in a blue moon, I do come cross great vocalists whom even from one of my least favorite genres – in this case Hip Hop R&B – I just have to dig it and own the album.  A bilingual and an opera trained, this 20 years old singer songwriter of Dominican Republic does have a recorded voice that reminds me of Shakira (especially with that Spanish touch), Mariah Carey (Kat is said to have a 5-octave range), and for some of the songs when she belts out the ending notes – Celine Dion.

However, that is what we hear from the CD.  I have been doing some research on DeLuna’s live performance and much like my favorite Hip Hop star Rihanna, there is a certain gap between live acts and what is being recorded.  But wait a minute, you may ask.  What are you smoking and who are you comparing these artists with?

Think Beyoncé Knowles and I shall rest my case.

Some of you may be familiar with Kat Deluna’s first dance hit “Whine Up”.  The album “9 Lives” does have some really great tracks but it also has some tracks that I utterly hate.  So if you take away the 3 bonus tracks that are the Spanish version of the hit songs from the same album, take away the very first track that is more like an unnecessary intro, and the two songs that can do without – “Am I Dreaming” and “Animal” – the album is only left with 8 solid tracks.  The record company has decided to re-release “9 Lives” this time with Akon‘s involvement.  Supposedly, “Am I Dreaming” was slated to be the 2nd single.  They soon postponed this idea and released “Run the Show” instead.  Smart choice I must say.  “Run the Show” has the “Whine Up” touch and to be frank, not even artist like Akon is going to save the track that shouldn’t be there.

My grievances to the album execution aside, those 8 tracks are pretty rare finds and these energy charged tracks should be more than enough to give you the extra boost in the morning before you head to work.  Click here to view the video of “Run the Show”.  If you can purchase track-by-track, do so instead.

Categories
Fantasy & Sci-fi Movie Reviews

Iron Man – Quite Possibly My Favorite Superhero

For the short attention span readers of my site, if you wish to watch a tiny extra clip of the movie that most people may miss, defy the urge to leave the theatre when the end credits start rolling.  Stay till the very end for a tiny reward.  Now, that’s all you need to know.  Go book the movie and enjoy because I know you want to.

Singaporean viewers (or Asians in general) don’t seem to have the patience to stay for the end credits.  We are in such a hurry to go somewhere else.  Same thing happens for the concerts.  Even before the cheering is over, some will start to leave the seats.  (And dare I say same thing happens in Churches as well?)  In UK and France – where I spent quite some time there watching movies – most audience sit back and stay till the very end of the show.  I do enjoy this “unwinding” process – to listen to the theme songs, to pick up some trivia, or even to find out who sing or play a particular song, and to be reassured that no animals were harmed during the filming process.  If you have already invested 2 hours watching “Iron Man”, what’s another 5 to 10 minutes to you?

I had no clue what “Iron Man” is as I seldom read Western comic books.  Turns out that Iron Man is not as far fetched as some other superheroes nor the story is as stupid as: now I wear my spectacles so you can’t recognise me.  In fact, what I really like is that the main character Tony Stark makes no effort to hide who he is, or what he does.

Nearly all whom I talked to were (or still are?) unhappy with the casting.  Why Robert Downey Jr. and Gwyneth Paltrow?  Gwyneth Paltrow only has a small part to play in this first installment of a trilogy so I wouldn’t want to over-analyse on “Why Gwyneth?”.  I personally think she fits quite well comic-book-wise as the blonde slender assistant who is efficient and sort of indifference to her billionaire boss’s rather colorful dating life.  I mean, I can so see her living inside a comic book.

But why Robert Downey Jr.?  As an audience, I have this love and hate relationship with Downey Jr.  I first noticed him in my favorite TV drama Ally McBeal.  Love his acting performance and that particular scene when he played the piano and sang – still lives vividly in my mind.  He did release an album that he wrote and I was tempted to buy (maybe I shall).  I hate that such a talented actor and musician’s career has to be interrupted by his lapses due to substance abuse.  This history of substance abuse, I believe, is also one of the reason why he is chosen as the Iron Man – a plot that will unfold in this trilogy.

Iron Man/Tony Stark does have a somewhat complex character mix.  A billionaire who carries himself well in front of the public media, a charmer to the ladies, a humorous geek (or technology freak, I mean genius), and a very tough guy – with or without his Iron Man suit.  To me, Robert Downey Jr. scores well in all departments.  From what I read, he has added his personal touch to carry the character well beyond the scripts given with added humors.

Special effects are stunningly and realistically beautiful.  From the holographic computer screens (reminds me of the film “Minority Report”), to that sickly detailed Iron Man suit that has equally sick animated moving parts, to the flying motion, explosion, and hand going into the human body (how?!) – all these effects and more guarantee to make you go wow.  “Iron Man” has tons of in-film advertisements as well such as Audi, LG, and even Bvlgari.  The same S$500,000 car that Tony Stark drives is the exact same model (and color I think) as the one now on display right in front of the UOB Centre in Singapore.

The world audience is raving about “Iron Man”.  You may too.  I am eager to see what the other two installments will be like.  Perhaps Tony Stark and his assistance Pepper finally falls in love in the next episode and he dies saving the world (or Pepper) in the last episode?  We shall see.

PS. Daredevil is quite possibly another superhero of my favorite.

Categories
Book Reviews Fiction

Doris Lessing – The Story Of General Dann And Mara’s Daughter, Griot And The Snow Dog

Doris Lessing - The Story of General Dann and Mara\'s Daughter, Griot and the Snow Dog

By no means I wish to diminish the genius of Doris Lessing, the sequel to the epic novel “Mara and Dann” reads more like an extension than a novel that exists in its own right.  But, any kind of follow on story on where “Mara and Dann” has left off is going to be a piece of good news to the fans – at least to me.

Unlike “Mara and Dann”, “The Story of General Dann and Mara’s Daughter, Griot and the Snow Dog” (year 2005, 282 pages, hardcover) has a totally different emphasis; and that emphasis is certainly not of the civilization progression and the struggle of survival that has been so well covered in “Mara and Dann”.  Like some of Doris Lessing’s previous works, there is a switch of perspective here and the world is now seen through the lens of Dann instead of Mara. 

I won’t cover how the story begins in this review as by doing so will inevitably give away the ending of the prequel.  All I can say is that the story dwells more on human emotion from within rather than a plot driven by quests and events as it was for the prequel.  Some readers may wonder why so much literature is spend on the internal struggle of Dann himself against his the other side and the undying loyalty to General Dann through the eyes and heart of Captain Griot.  To me, feeling seldom changes overnight; perspective seldom changes overnight; we seldom change overnight.  For the patience ones, the reward is the seamless transition of perspectives through different characters and to be able to observe how the characters grow, gradually and realistically.

Added to the main storyline are Mara’s daughter Tamar and a snow dog Ruff.  The snow dog has certainly added a new dimension of the story telling never seen before in “Mara and Dann”.  For the observant ones, I think the brilliance of having a snow dog as the plot unveiled is an attempt to explain and perhaps acts as a redemption to what happens at the beginning of the story.

This story reads like an extension partly because the physical location covered is a lot lesser than its prequel.  Dann’s perpetually yearning for exploration does guide him towards the Ice Cliffs of Yerrup – a part of the world that is new to “Mara and Dann”.  Other than that, the majority of the plot happens in North Ifrik.  And similar to “Mara and Dann”, this sequel does not have a main quest.  For those are hoping and expecting to read a story of how one man can save the world, this is not a story of such kind.  And no, I would not recommend you to read this before its prequel either.

With its open ending, I will not be surprised that there will be another sequel in the making.  Even if there is none, I am happy that the story ends where it is now, more so than how it was ended in “Mara and Dann”.

Related Entries:-

Categories
J Pop Music Reviews

YUI – I Loved Yesterday – Kill Me Softly With “LOVE & TRUTH” …

YUI's I Love Yesterday

… and then kill me again.

I must have heard that one song “LOVE & TRUTH” no less than 400 times by now as I have frequently left my players (Hi-fi, mp3 phone, PC iTune) on single song repeat mode while traveling, working, reading, and blogging ever since YUI’s third album has landed in Singapore.  And if you think that I am obsessed with numbers, guess what I have noticed when I first read the song list of “I Loved Yesterday” at HMV?  All her three albums have 13 tracks.  No more, no less.  Strange eh?  And how did I even remember such a detail?  Freaky.

At times I wonder which is the most tedious to write: a book, a CD, or a movie review.  To write this review, I have listened to her two previous albums in conjunction with “I Love Yesterday” quite a few times in order to, perhaps, remind myself why I like YUI’s music in the first place.  Her trademark of a hauntingly innocent girlie voice with a taint of vulnerability and yet full of conviction in delivering her music is still written all over her third album.  The fact that she has written all the tracks on her own and plays the guitar track translates to yet another rock album that does not deviate from her style – except “LOVE & TRUTH” that seems to be the odd one out.  It must have something to do with the lethal combination of a rock ballad and a symphony.

A song written for the Japanese film “Closed Note”, what “LOVE & TRUTH” means to some of YUI’s fans is perhaps similar to what “Last Smile” does to the Love Psychedelico fans – we love that one song so much that we will probably spend eternity waiting for another “LOVE & TRUTH” or another “Last Smile” to appear from the same artist.

“I Loved Yesterday” comes with a DVD that contains 4 video clips of songs from her previous album and a short concert filming of “LIVE at BUDOKAN” (7 tracks).  I would be lying to say that the filming of her live performance is near perfect.  A bit far from it, unfortunately; a bit pitchy here and there, in fact.  On a more positive note, besides able to see her in action on stage with her guitar, the last clip “YOKYO” is probably one of the most moving music clips I have seen (the most moving scene still belongs to Ayumi Hamasaki when she screamed at the top of her lung thanking the crowd at the end of the show … at an open stadium, to a silence audience, without a mic).  Also, there is a clip called “Jam” and I swear I have not heard that song from any of YUI’s album before.  I like that one quite a fair bit.

Overall song quality-wise, “I Loved Yesterday” may be the weakest compares to her debut “From Me To You” that is packed with songs with memorable tunes and her commercially successful second album “Can’t Buy Me Love” that is lifted by her movie “Midnight Sun”.  Nevertheless, it is still a 21 years old YUI production that is worth keeping.  Below is the video clip of “LOVE & TRUTH”.

Related Entries: