Categories
Classical Music Reviews

Hilary Hahn and Natalie Zhu – Mozart Violin Sonatas

It is of great pleasure that I finally get down to writing a blog entry on classical music.  When there is something that timeless, it’s easy to put the idea off to another day, and another day.  Most of you may not know that deep inside of this metal head, rocker wannabe of mine is a passionate lover for the classical genre.  I used to play clarinet for the Hong Kong Youth Orchestra, saxophone for my school band, and I used to be able to hum the melody of famous classical pieces from beginning to end, with my favorite being the five Mozart’s violin concertos.  While boys were used to play games during school recess, my best friend and I would race to the piano and I got to hear him playing his grade 8 and subsequently diploma pieces, day after day, month after month, year after year.  Before finally yielded to the temptation of pop music – thanks to Madonna’s album “Like a Virgin” – I listened to nothing but classical for all my life up to late teens.

Classical players interpret classical music.  Of those whom I am familiar with, I enjoy listening to Hilary Hahn’s recording the most.  One day, I may complete collecting all her albums.  To be honest, if you were to line up two world class violinists side by side and ask me to opine on which one is better, I probably wouldn’t be able to do that.  Having said that, I do believe that Hilary Hahn has great technique and such a versatile violinist she is, she has recorded the works of Bach, Beethoven, Barber, Meyer, Brahms, Stravinsky, Mendelssohn, Shostakovich, Elgar, Paganini, and Schoenberg since 1997.  It is because each album comes with a personal note from Hilary Hahn herself, as well as a commendatory write-up on the history and the technique involved in the recorded piece of work, it is much easier to appreciate what goes into each album.

And I immensely enjoy reading Hilary Hahn’s journal at her website as well.  If you are not into classical music or do not have the time and patience, you may not enjoy reading her rather long entries.  It’s not all about rehearsals, live performances, and technical details.  You get to read the different cultures she encountered during her International touring, the bizarre things that the crowd did, the dress that shrank after sent for dry cleanning right before the performance, and her thoughts on a huge crowd versus a small crowd that passionately loves her music.  I used to think it is OK to film live performances using my own phone or camcorder.  One time, Hilary Hahn actually stopped the performance halfway and gently requested one audience to switch off the recording device.  To her, performing live is to be able to be librated from the recording environment and be spontaneous.  In that sense, the artist doesn’t have to be conscious over recording and instead, plays for the moment.  Now I understood.

“Mozart: Violin Sonatas” was released in 2005, coincided with the 250th anniversary of Mozart’s birth.  Hilary Hahn plays the violin while Natalie Zhu plays the piano.  There are many good things to go for in this album.  I love Mozart’s work, and I love hearing the sound of the violin and piano.

Mozart’s violin sonatas flavor melody over counterpoint giving each instrument an equal role.  “Sonata in G major K. 301” was composed when Mozart was 22, full of joy he was, and it could well be inspired by his growing relationship with the Weber’s family’s daughter Aloysia whom he fell madly in love with.  In the same year, his mother died in Paris with him by her side.  An extremely painful period of his life and it shows in “Sonata in E minor K. 304” – the only violin sonata that is composed in a minor key.  The second movement “Tempo di Menuetto” is my favorite Mozart violin sonata composition.  It starts with a memorable melancholic melody by the piano, and then the violin takes over the lead role with piano as the accompaniment.  The roles then reverse and two melodies emerge from each instrument as the movement continues.  Familiar melancholic melody appears from time to time till the movement comes to an abrupt ending.

While both the K. 301 and K. 304 only has two movements, “Sonata in F minor K. 376” composed at the age of 25 comes with three.  This sonata is a dedication to his pupil Josepha Auernhammer whom Mozart deeply admired as a pianist.  Because of its graciously beautiful theme, I guess that is the reason why K. 376 has become the opening sonata for this album.

The last sonata of the album, “Sonata in A major K. 526”, signified the time when his father, his only teacher, died when Mozart was 31 years old, married with one child.  It was not as sad as K.304 – the one that was composed when his mother passed away.  Some say that it is a libration from paternal authority.  I personally feel that it is an emotional piece that honors his father in one glorious gesture.

“Mozart: Violin Sonatas” is a collection of five violin sonatas composed in key moments of Mozart’s life.  It is certainly one worth examining if you are into Mozart.

Related website: Hilary Hahn’s Official Site

Categories
Book Reviews Non-Fiction

Marketing Metaphoria by Gerald Zaltman and Linsay Zaltman – A Book for the Marketers and More

I beat the book by arriving at the conclusion that “Marketing Metaphoria” has a much wider application way before I’ve reached the final chapter.  Marketers who wish to reveal the minds of the consumers will certainly find this book useful (Which marketer doesn’t wish that?).  Even if you don’t work directly in the line of marketing, you may benefit from being aware of the key deep metaphors that exist in almost every aspect of our lives.  The book quotes a few case studies in the final chapter to illustrate just that.  I will add one potential application out of my own experience later in this review.

In your line of work, you may at some point in time need to solicit opinions like some of my previous projects – be it as a survey that your team has developed for a market research project or a set of probing questions prepared for a focus group discussion.  The question remains: How do you know if the responses to these questions reveal what the sample audience really think and not what you deem important?  To add an extra level of challenge, your sample audience may not really mean what they say.  How can then you go beyond the metaphors appear at the surface (from what they say) and reveal something deep from within (of what they think)?

This book “Marketing Metaphoria” is a crystallization of hundreds of market research projects across more than thirty countries and it has a simple structure.  The first two chapters build a business case on why recognizing deep metaphors is important.  The subsequent seven chapters are dedicated to the seven key deep metaphors that are common to us.  And the final chapter puts all these metaphors at work through real life examples that go beyond marketing.  Due to the difference in the authors’ background, each chapter has a good mix of academic theories as well as real life case studies.  In a sense, the theories do not appear dry and they do reinforce and substantiate the examples quoted.

Before I get into the how, let’s take a quick look at what deep metaphors are.

Deep metaphors, simply put, are unconscious viewing lenses that structure what we think, hear, say, and do.  And the authors Gerald and Linsay Zaltman created the term Metaphoria that refers to ‘a place where our basic views of the world are formed’.  It is because metaphors transcend our nationality, ethnicity, language, and other differences we may have, understanding how to reveal individual deep metaphors can be a powerful tool.  Applying this skill to marketing, for instance, can help the managers in the areas of market segmentation, advertising, product design, new product ideas, and product positioning.

In the book, the authors present seven deep metaphors that account for about 70% of the cases they have encountered.  These metaphors are: balance, transformation, journey, container, connection, resource, and control.  I won’t describe these metaphors in details.  Instead, I have placed a link at the end of this review for further reading.  What I’ll do here is to give you an illustration on, say, the container deep metaphor.

When we think of containers, we may think of two functions: keeping things in and keeping things out, and they are pervasive.  Believe it or not, this metaphor is deeply rooted in us.  Think ‘from womb to tomb’, we travel from one container to another.  I wonder if anyone can remember one of the old advertisements from Coke (here is the YouTube video).  The theme was “have a Coke and a smile”.  Back then, Coke was described as ‘a container of positive emotions that flow into yet another container’.

How about freedom from a repressive container?  If you take a look at the image on the right taken from the Harley-Davidson website, a lone motorcyclist on an open road invokes the unique American symbol for freedom.  The motorcycle dissolves restrictive containers in life granting its rider the ability to express freely.

“Marketing Metaphoria” addresses each key deep metaphor in a similar fashion: highlighting the various facets on both the application of the positive and the negative sides of the deep metaphor supported by theories, illustrated by examples.

I must admit that this book does not elaborate too much on how to reveal the deep metaphors from the sample audience.  It does mention one technique of asking the participants of the market research to bring along eight images that they think are relevant to the topic.  The interviewer will on the spot scan in the images and create a single picture using an image editing software as the participants talk through it.  Deep metaphors are identified this way.  Perhaps it is the same technique that they have been doing for these hundreds of market research projects.  “Marketing Metaphoria” does not necessarily replace the existing methodology you have already been practicing, in my opinion; it does equipe you with the essential tools to formulate the questions and interpret the responses from the sample audience.

This book, though is an easy read on its own, may require much effort to internalize and apply to your line of work.  Those who are already in the fields of marketing or cognitive science may find it a breeze to read.  In a mere 256 pages (hardcover), it is packed with lots of valuable ideas covering a wide spectrum of industries.  These ideas, I can imagine, are good for those who have a passion to understand what the consumers or sample audience want in a deeper level rather than asking the questions that they deem important.

The last bit of this review is really what I can personally apply based on the new ideas I have acquired from this book.  From my more than a decade of experience in both external and internal consulting work, I often am involved in projects that bring forth change to the organization.  The context is not important here – be it as technology, process, strategy, or others – what is important is: I am here to change the way you work whether you like it or not.

The reality is, seldom people like change.  So project usually puts in a change management piece of work that includes a communication plan amongst others to help transitioning the affected parties into the new way of working.  The number one question from the potentially unhappy crowd would be: How does this going to benefit me?

That’s where internal (or external if you are the hired consultant) project branding and marketing comes into the picture.  Some organizations create project logos, posters, and so on to communicate the change.  The challenge is usually what kind of common message would resonance with the people on the ground who will be affected.

The best time to answer this question is in fact going back to the beginning of the project when the people on the ground are interviewed during the requirement or information gathering activity.  Reveal their pain points using deep metaphors and when the time comes (usually at the middle or towards the end of the project depending on the scale of the project), create a common message that the people on the ground can relate.  In fact, by understanding what their pain points are in the forms of deep metaphors at the early stage of the project may even steer the project in a positive way.

In the closing chapter of “Market Metaphoria”, the authors highlight other applications such as resolving political and personal conflicts amongst others using deep metaphors.  Marketers would treasure this book.  I believe the rest would too and be able to relate.  After all, who is not a consumer in our modern world?

Gerald Zaltman is an emeritus professor at the Harvard Business School, and has served on the Advisory Board of Harvard’s “Mind, Brain and Behavior Initiative.” Lindsay Zaltman is managing director at Olson Zaltman Associates. They are the authors of Marketing Metaphoria: What Deep Metaphors Reveal About the Minds of Consumers (Harvard Business Press; May 2008).

ISBN: 978-1-4221-2115-3

Related Link: Seven Giants – Deep Metaphors

Categories
Action & Thriller Movie Reviews

The Incredible Hulk – Reload

It’s been a crazy time at work these days so I wanted some solid entertainment.  For the lack of choices, I proposed watching “The Incredible Hulk” to my Movie Review Squad and unanimously, both TK and Cynthia loved my choice because of Edward Norton.

Edward Norton as the Hulk?!  What happens to my Hector of Troy?!

OK, I will get to that in just a moment.  I must admit that I am not really a big fan of the concept of Hulk.  However, I am a big fan of Edward Norton and Liv Taylor (the casting of Arwen of LOTR was another surprise to me).

It is hard not to compare “The Incredible Hulk” with “Iron Man”.  Both are recent superhero films that contain a battle between two relatively huge mechanical beings in “Iron Man” and two equally huge greenish blob of beings in “The Incredible Hulk”.  I would say although Edward Norton is a brilliant actor, Robert Downey Jr. has put more heart into the story.  And it is hard not to compare this film with “The Hulk” (2003) as well.  Let’s not debate if Ang Lee has done a better job or the French director Louis Leterrier has because it is a matter of a personal preference between art and entertainment.  I personally would think Eric Bana (Hector of Troy) has put more angst into the character.  After all, we are not suppose to make the Hulk angry, are we?

In a way, “The Incredible Hulk” has two parts to it: the drama and the computer generated coupled with motion captured actions.  The drama may not be as memorable as I wish it to be but I love those special effects with a capital L.  So realistic, so full of energy.  Is it just me as I feel that the Hulk is a bit smaller than the previous film.  Now, those stretchable pants make sense.  Also, one scene did remind me of the film “King Kong”.  Perhaps the metaphor of “the beast within a man and the one true love who is able to tame it” is a popular one.

Again, like “Iron Man”, “The Incredible Hulk” comes with a bunch of in-film advertisements.  The one I recognize and can remember are: Norton 360 (how appropriate), SanDisk, Panasonic Lumix camera (I think), and Cynthia picked up the Givenchy cosmetics. Some advertisements I question the relevancy to the plot.  After the show, Cynthia has the urge to buy some Givenchy products.  Uh-huh … I think that works in some sense.

Unlike “Iron Man”, the stealer scene is not being put after the end credits.  And there is a high possibility that the Hulk will be featured in the upcoming film “The Avengers”.

Cynthia and TK both enjoyed the film.  I still miss my Hector of Troy.  But that’s all good to have different opinions within the squad.  Certainly this reloaded version has more lively scripts and a more likeable green monster.

And it is meaner and angrier than Shrek.

Categories
J Pop Music Reviews

Mai Kuraki (倉木麻衣) – One Life – Quite Possibly Her Spiciest Piece of Work

I made a promise to myself that I will contribute my thought on Mai Kuraki’s 7th album to the online community back in March this year.  Her albums don’t come cheap.  The RRP are S$72 (USD 52) and S$52 (USD 38) after discount.  And you can’t pick a random Japanese album to sample in HMV.  So what I usually do in situations like this is to take out my wireless phone and Google the albums, at HMV.  Reviews written in English are not common.  In desperate times, I would perform an online translation of the Japanese pages and learn more about the album.  After all, it is a rather heavy investment.

I do agree with the online community that Mai Kuraki’s voice is sensual, and that works well with her R&B / Pop genre.  I do however find it difficult to tell if she plays her limitation to her advantage.  Mai Kuraki has a feather light voice, which is good to communicate emotion.  But her voice does at times sound out of breath.  It has become rather obvious when I viewed one of her live performances on one DVD of mine.

Her first four albums are commercial success.  Unfortunately I don’t own them.  What I do own is her compilation album “Wish You the Best” (2004), which is just as good I reckon, and her subsequent albums – “Fuse of Love” (2005), “Diamond Wave” (2006), and “One Life” (2008).  I think Mai Kuraki sings better in her recent work.  But her earlier work has better melodic hooks, and hence the success.

So, what about “One Life”?  I certainly put it above the rather forgettable “Diamond Wave” and for those who already love “Fuse of Love”, “One Life” is certainly not a disappointment.  In fact, “One Life” is quite possibly her spiciest piece of work.  The opening track “One Life” is an upbeat memorable R&B song, accompanied by interesting musical tracks.  “I Like It Like That” is a good follow-up.  More groovy, less edgy.  For those who like ballads, “Silence Love ~open my heart~” is a decent effort.

I am an oddball and my personal favorites could be quite different from what fans prefer.  I like “Everything” because of the hook, the variation of the bridges, and the music arrangement.  “Season of Love” has a similar feel and it is well harmonized by male vocals.  An emotional piece of work.  “Wonderland” comes with a simple beat and some pretty unusual melody and timing.  There is one part that I constantly ask myself: How did she sing that?!  Very soulful.  And I like the upbeat pop song “Be with U”.  A fun piece and I think the hook lies in the percussion arrangement.

You may like her interpretation of the English song “Over the Rainbow”.  But I think no one can sing that better than Katharine McPhee.

In terms of technique and being soulful in the genre of R&B, I would still vote for Utada Hikaru.  Having said that, it is always good to have varieties in life and Mai Kuraki does have a decent number of well crafted songs to offer. 

Below is her single “One Life”.  The video kind of sucks.  Probably working on low budget.  You may also wish to check out the ballad “Season of Love”.

Categories
Book Reviews Fiction

Blind Willow, Sleeping Woman by Haruki Murakami – Surreal and Beautifully Written Short Stories

I would be lying to say that I wasn’t stopped by this rather sexy book cover (which later found out that it is rather relevant to the leading story).  But there are plenty of sexy book covers out there to grab attention.  I liked the book title but was not familiar with the author’s name.  I am naturally attracted to foreign writers but shall I invest my time to read an unfamiliar author’s work and to broaden my exposure when my personal reading preference flavors depth than breadth?  I flipped the book open and started reading it, inside a library.

“To put it in the simplest possible terms, I find writing novels a challenge, writing short stories a joy.  If writing novels is like planting a forest, then writing short stories is more like planting a garden.  The two processes complement each other, creating a complete landscape that I treasure.  The green foliage of the trees casts a pleasant shade over the earth, and the wind rustles the leaves, which are sometimes dyed a brilliant gold.  Meanwhile, in the garden, buds appear on flowers, and colourful petals attract bees and butterflies, reminding us of the subtle transition from one season to the next.” – Haruki Murakami, Blind Willow, Sleeping Woman, vii.

I love to write and I couldn’t agree with him more.  I have attempted to write both novels and short stories and I often find myself torn between the two.  Why?  Haruki Murakami couldn’t have said it better.

I personally enjoy reading short stories; not used to in the beginning but I have grown accustomed to, and now fall in love with.  On that count, I simply cannot, for instance, get enough of Italo Calvino’s work – an Italian author who wrote lots of great short stories.

“Blind Willow, Sleeping Woman” is a collection of short stories written in the period of 1981 to 2005.  And they are translated from Japanese by Philip Gabriel and Jay Rubin.  I can’t really pinpoint a common theme across all these 25 stories (334 pages, hardcover).  All I can say is that Haruki Murakami has a keen sense of observation at the most minute detail.  You can actually see the story as you read it.  And Haruki Murakami’s stories are mostly surreal, at times metaphoric.  I sense that some stories are inspired by certain bizarre news that most people disregard.  Some stories are written using himself as the main character so I gather that these stories relate to people in his real life and are told with a certain dose of imagination.  Some supposedly fictional characters read almost like the author himself with a changed name.  Some fictional characters are, I believe, purely fictional.

In short, there are no ordinary stories when told by Haruki Murakami, even those with plots that do not resolve into any dramatic ending.

Out of these 25 stories, some leave a deeper impression than others.  The four and a half pages long short story “A Perfect Day for Kangaroos”, for instance, is one of my favorites.  The author wrote about a man bringing his girlfriend who wanted to see a baby kangaroo to visit a zoo.  “Man-Eating Cats” started with a piece of news reporting on an old woman who died in her apartment and the hungry cats locked inside had nothing to eat but to feed on the dead body .  The story itself is nothing gross to that extend but a good metaphor that links the main character with an, perhaps, imaginary lover?  The story “Firefly” is a beautiful love story of perpetual waiting while “Chance Traveller” is an emotional story between the two estranged siblings.  “The Kidney-Shaped Stone That Moves Every Day” is a carefully crafted story that is told within a story and the last chapter “A Shinagawa Monkey” exposes our very own psychological subconciousness and identity with the help of a … talking monkey that steals name tags.

The opening chapter “Blind Willows, Sleeping Woman” may as well be a representative piece of work from the book with the same title – a statement of what Haruki Murakami’s unique style is all about, at least for this book.

Certainly, I intend to follow the rabbit hole and dig deep into what Haruki Murakami has to offer.  To end this review, I found this rather interesting dialogue between the main character – an author – and a subject of his affection.

“Writers don’t have any talents to offer.  A pianist could play you a tune.  A painter could draw you a sketch.  A magician could perform a trick or two.  There’s not much a writer can do.” – Haruki Murakami, Blind Willow, Sleeping Woman, 293.

Categories
Comedy Diary Movie Reviews Romance

If the Birthday Girl Wants Made of Honour, the Birthday Girl Gets Made of Honour

Couple of weeks ago, my friendly boss dropped by my workplace – like he always does in an intraday manner to go through a checklist of 101 items with me – and he talked about “Made of Honour” instead.  He even gave a two thumbs up on that movie.  That was scary.  Was I being Googled and he learned that I love watching movies?

Perhaps not.  Hopefully not.

This week has been an eventful week for me, or rather for Cynthia and I.  Besides the one thing that now is not a good time to share (I will, I promise), my work has been action packed (though I still managed to keep it within 9 to 5, thank god for that) and Cynthia has just started working in a new environment so I needed to hunt for another precious parking lot within CBD.  The good news is that my good old friend RC passes me his tenant lot because he has decided not to drive a few years ago.  The not so good news?  Well, the car park at Prudential Tower is probably the most scary car park I have seen in Singapore.  RC joked that I shall practice my Tokyo Drift technique at those tight corners and curves.

Very funny.

Fortunately, by now I can go up and down of the Tower with one eye closed.  In fact, an entertainment I genuinely look forward to every day.

And Friday was Cynthia’s birthday too.  How amazing!  Since my credit card has intercepted hers during her first purchase at the Great Singapore Sales just a few days ago, the birthday gift is settled.  Hooray!  I know she has been talking about “Made of Honour” a while back, “Made of Honour” it is then.

When the main actor first appeared on the big screen, I whispered to Cynthia, “Who is this guy?!”.  “He is Patrick Dempsey,” Cynthia replied.  “What damp sea?” I inquired as the name didn’t ring a bell.  “The movie ‘Enchanted’?” she replied.

Ah … OK, I still couldn’t remember.  When the main actress (Michelle Monaghan) appeared, I whispered, “I know this girl!”  “Who is she?” Cynthia’s turn to ask me.  “I don’t know,” I said and I continued, “but I remember seeing her on TV.”

OK,  I may not have seen her on TV.  But she does have that TV soap opera kind of look and indeed she was involved in the TV series “Boston Public” as I found out later.  In fact, Patrick Dempsey is also from a TV series, “Grey’s Anatomy”.

In fact, the second main actor has also acted in a TV series that I love – a HDO Original Series.  When the Scottish actor actor Kevin McKidd first appeared, I nearly screamed, “I know this guy!”  Cynthia replied knowing that I didn’t really know who this guy was, “Ya, the ‘Rome’ guy”.

I don’t think I have laughed so hard this year.  OK, it’s not about the story and we all know about that.  I would probably forget the whole story before this weekend ends.  However, with such an eventful week, a good laughter is all I need right now.  I will definitely catch this movie again on cable to have a good laugh about it.  Not sure if some sexual references would be censored though.

Perhaps not.  Hopefully not.

Categories
Hard Rock & Metal Music Reviews

A Def Leppard Marathon – From Hysteria to Songs from the Sparkle Lounge

I have yet to figure out if each tragedy the band Def Leppard encountered leads to a success or each success curses them with a tragedy.

In year 1983, the UK rock band Def Leppard became famous after their third album “Pyromania” reached 10 times platinum in US alone.  In the following year, the drummer Rick Allen lost his left arm in a car crash.  I remember reading an article from a magazine while I was in UK.  A dramatic article on the return of the one arm drummer a few years after the accident.

After the car crash due to speeding, Rick Allen lost an arm.  You can imagine how disappointed the rest of the band felt.  First, the breakthrough, then the uncertainty.  But what about the young drummer?  Legend has it that he did not wish to give up but instead, he was determined to return to his career with three limbs and the help of electronic drum paddles.  In one dramatic evening, while the rest of the band members were having a drink at a lounge – their usual drinking place – without him, Rick Allen walked into the room.  I suppose some band members might notice his entrance but I would imagine that they were still mad at Rick and his recklessness.  So, no one was paying attention to Rick Allen.

Rick continued to walk to a drum-set set at the center of the room, and he started to play the drums.  At that very moment, vocalist and I suppose leader of the band Joe Elliott closed his eyes.  The sound of the drums filled his head, squeezed out all the resentment he has, and took him back in time.  A time when Rick still had his two good arms.  According to what I read, Joe Elliot couldn’t tell the difference.

So, there was life after “Pyromania” after all.  And a happy ending.  “Hysteria” hit twelve times platinum in US and perhaps, that fourth album is the peak of their career.

In year 1991, their legendary guitarist Steve Clark died due to alcoholism.  The following year, “Adrenalize” was released with a moderate success – three times platinum.   After “Adrenalize”, Def Leppard repackaged their b-side and unreleased tracks during the era of “Hysteria” and “Adrenalize” and named the album “Retro Active”.  Since I in particularly love that era, these three albums hold a dear place in my heart.

After that, their long time producer, Robert John “Mutt” Lange (once married to famous country singer Shania Twain) called it quit.  “Sling” is meant to be an album that expresses the true image of Def Leppard without Mutt Lange.  I personally like the uniqueness and freshness of that album but the mass media said otherwise.  “Euphoria” is forgettable and “X” is a joke.  I vowed not to buy any Def Leppard album, ever.

Then I bought “Songs from the Sparkle Lounge”.

Despite the lingering feeling of years of betrayal, I gave their 10th studio album a try.  The first song “Go” gripped me.  No way this is Def Leppard!  It sounds more like Korn.  I love the guitar solo too!  The next song “Nine Lives” is the album’s first single featuring country singer Tim McGraw.  OK, it is kind of old school rock and I didn’t love it at first listen.  Why choose “Nine Lives” as a single?  After a few listens, it does grow onto me.  And I agree, “Nine Lives” is probably one that has a better chance to stand the test of time.

It was the slow killer ballad “Love” that sealed the deal.  I do not have any of their albums prior to “Hysteria” and in the last week or so, I had a Def Leppard marathon listening to all their albums from “Hysteria” onwards.  I don’t think they have made anything like “Love” before.  That song is totally old school.  Cynthia thought that it sounds like a song from Queen.

Lyrically, some songs still remind me of the same old trivial stuffs such as “Pour Some Sugar on Me” and “Make Love Like a Man”. But check out the extract of the song “Cruise Control”.

I hear my god he calls my name
I must atone all men can change
and for my god I ring the bell
I will condemn the infidel

Mostly up tempo and mostly rock, I am happy that “Songs from the Sparkle Lounge” has revealed yet another side of the band.  It may not be as great as the “Hysteria” era but it is way better than any of their recent releases – if that means anything to you.

So tell me, how much do you love the old school rock music?

Categories
Movie Reviews Romance

So This is Sex and the City (A Guy’s Perspective)

Believe me, a hundred and one plans have flown over my head on how not to get myself into “Sex and the City”.  In a last-ditch attempt, I asked Cynthia in all feebleness, “Shall we check out the reviews on this movie just in case?”  Her response was, “It’s Sex and the City.”  Cool as a cucumber, just like her.

Look, a bunch of actresses in their mid-forties (and one in fifties) is not exactly sexy; nor can I relate to New York City.  I have not watched even one single episode since the season began in 1988 so I didn’t really know what to expect.

I was not surprised that the female audience inside the theater outnumbered the male species by a great mile.  I was (still am) immensely annoyed that the editing of the sex scenes is so poorly done, probably due to the film censorship restriction.  And I was surprised that I did enjoy watching this movie.

I need to see a therapist, to fix my manhood, today.

I often think that it is no easy task to bring a successful TV series onto the big screen.  A TV episode is usually short (20 to 40 minutes each); it has a certain repetitive pattern for each episode with an overarching story that spans the entire season; each episode has a constant stream of valued entertainment throughout taking in consideration of the commercial breaks.  And I often have a lot of respect for the actors and actresses in a long running TV series.  Why?  It is hard work and they get to practice their craft day in day out.  I do admire people who work hard for their passion.

Movies, on the other hand, is a totally different ball game.  The storyline does not get resolved within 20 to 40 minutes, nor it stretches to a duration of one season worth of materials.  So, what is a good strategy in bringing a successful TV series onto the big screen?

In “Sex and the City”, it is more or less a movie with four love stories evolving around the four main characters.  You may say that a 145 minutes long movie is a bit too long, even for the fans (in US, it is advertised as 135 minutes and I wonder why).  But if you look at it as four separate stories mashed into one, I think it is about right.

The movies does watch like a long TV drama program with pockets of humor from beginning till end.  The girls on screen do seem like having lots of fun with a certain female bonding that only girls can understand.  At times I hanged out with a group of female friends and when I turned invisible (believe me, it is easy when you were me), it seemed as though I have stepped into a whole new world of female aura.  The things that girls like to talk about and the little things they do, I am truly amazed.

Truly amazed I was as I watched this bunch of rather mature actresses still able to bring out the sexiness and strong female attributes within.  Sure, for the fans, the storyline may not be as strong as what it was 10 years ago.  And to glamorize the faces and bodies of what-you-see-is-what-you-get (again, these actresses are not exactly young) comes the over-the-top fashion and even a huge golden necklace the main character of Sarah Jessica Parker wears on the bed.  I am OK with that, seriously.  I need some occasional visual stimulation.  And I think “Sex and the City” portrays the emotion of the actresses well too.

Now, since I am probably an overly sensitive hopelessly romantic new age kind of guy who incidentally loves the chick-lit genre so naturally, whatever I say is discounted by half if you are a guy reading this blog entry.  Judging from the laughter I heard in the theatre by the guys behind me, I would suppose guys love “Sex and the City” too.  I read that during the filming, multiple endings were shot in public due to the constant presence of the paparazzi.  I wonder if these endings will be featured in the DVD.  The uncensored version would be so much better to watch, in my opinion.

“Sex and the City (the TV series)” is meant to be a realistic portrayal of the sexual behavior and lifestyles of many urban Americans.  Have they achieved their goals in this movie?  Only girls can tell.

Categories
Action & Thriller Foreign Movie Reviews

Black Book – Great Plot Filmed with a Convincing Sense of Realism

Gosh, it was the first time I saw an actress sitting (gracefully) in front of a mirror dyeing her pubic hair blond and I wasn’t even shy watching it.  It was so artistically filmed.  If you enjoy watching an espionage type of movie packed with high entertainment value of suspense, thriller, and seduction, this Dutch and German production with a hint of Hebrew and English may thrill you.

The time line of the story is set towards the end of World War II.  It was the rising of the Dutch Resistance versus the Nazi stationed in Holland.  “Black Book” is the most expensive Dutch film ever made (doesn’t it sound familiar with the foreign films these days?) and I can certainly see where all the money has gone into.  Every single detail is being attended to.  I felt as though I was being transported back to year of 1944.  I could almost smell the scent of the antiquity.  Details that are beyond the surface, some are historical, some are just “making sense” (like the stinging after effect of the dyeing of … erm … pubic hair). 

There is much character development in this 145 minutes foreign film and the entire plot is very much entwined with human emotions (love and family) as well as human flaws (greed and betrayal).  It watched like reading a good thick wartime novel, except the element of war is perhaps not the focus of this movie.  Are all Nazis bad and all members of the Dutch Resistance heroes?  According to the film director Paul Verhoeven, a shade of greyness on moral ground is simply what real life is.  Too bad, I don’t know the languages and I found it hard at times to follow the subtitles while distracted by the scenes and the acting.

“Black Book” may have received a mixed review within the Dutch community but the International markets love it.  Perhaps we are in need of something fresh with an age old formula of the Holocaust; perhaps we are not Dutch enough to feel for the lack of moral black and white between the Nazis and the rest.  This film has been nominated and has won a few awards.  The real gem of the movie, I think, is the beautiful Dutch stage and film actress Carice van Houten.  The plot has provided her a wide spectrum of emotions and opportunity to shine.  You will get to love our heroine.  And her real life relationship with her co-star Sebastian Koch (for those who have seen the film, it’s Ludwig Müntze, the German SD Officer) explains the chemistry on the big screen.

Do bring along a friend or two to watch to show.  It will be fun pasting the pieces together after the show.

On a side note – especially when I opened this blog entry with such a hot scene – the director Paul Verhoeven has worked on (besides “RoboCop” and “Total Recall”) “Basic Instinct”, “Showgirls”, “Starship Troopers”, and “Hollow Man” – all of which have elements that bring out the beauty of the female sexuality in forms of art.  I would say I love them all (except “RoboCop”).

Gosh, I have watched so many movies over the years!

Categories
Drama Foreign Movie Reviews

Accuracy of Death, Sweet Rain, 死神の精度 – Whatever the Title is, It’s Takeshi Kaneshiro

OK.  I have to make this movie the final stop of my Asian Movie Marathon, take a break, and blog about something else.  This morning, I asked Cynthia who is not a big fan of Japanese movies, “Why pick this?”  Her answer was “Takeshi Kaneshiro” together with a isn’t-that-obvious look.

Isn’t that obvious that all the girls love Takeshi?  The sound of exhilaration from the female audience at those heart-melting moments makes me wonder if “Accuracy of Death” (literal translation) or “Sweet Rain” (alternative International title) is indeed a chick-flick (it’s probably not).

It’s not a tear jerking movie for sure.  “Accuracy of Death” is divided into 3 parts with each part tells a story of its own.  The “Death God” or better known as “Grim Reaper” in English talks to his targets (or contracts?) in human form and judges them for a week.  On the 8th day, he then makes a decision to “proceed” (i.e. death) or “suspend”.  What is special about this film is that by and large, the three sub-plots are unpredictable.  With such a high degree of unpredictability comes a price of a lack of anticipation of something dramatic.  At times, both Cynthia and I wondered where the story was heading.  It is also one of those movies that when the ending hits you, it really hits you and makes you go “ah-ha”.  Perhaps not as deep as I personally wish it to be.  But it is good for a change and have something challenges our minds a bit.

From my close to non-existing understanding of the Japanese language with lots of help from the online translator, the movie appears to be inspired by part 1, 2, and 6 of a 6-book series written by 伊坂幸太郎 between 2003 to 2005 – 「死神の精度」「死神と藤田」and「死神対老女」.  I wonder what happens to the rest of the stories.  Perhaps time for me to learn Japanese.

An unusual mystery Japanese movie uplifted by a good sense of humor.  All three sub-stories have different themes and since my favorite one is the first one, the rest of the stories seem to fall flat just a tiny bit.  After some research, I found the music video clip (featured below) sung by the main actress from the first story, 小西真奈美 (Manami Konishi), titled “Sunny Day”. 

Out of the four Asian films that I have recently watched – “Dance of a Dragon”, “Ayat-Ayat Cinta”“Chocolate”, and “Accuracy of Death” – and if we could have time for only one movie, Cynthia would pick “Ayat-Ayat Cinta”.  I would probably pick “Chocolate”.  It is quite a rare moment that there are so many good Asian films showing at the same time.  And hence this crazy marathon.