Categories
Fantasy & Sci-fi Movie Reviews Romance

Warm Bodies – A Highly Anticipated Zombie Romance

A zombie romance story.

Ever since I have watched the trailer of this movie, quite some time back, I have always been wanting to catch Warm Bodies on a big screen.  Cynthia and my buddy TK’s response to my overwhelming enthusiasm has been lukewarm.  Until they have watched the show with me.  They love it.

I am unsure why the global fascination on zombies and the undeads.  Online games like World of Warcraft have them.  They have been the prime targets in many shooter games.  Even in Call of Duty and Saint Rows 3 whereby I don’t see how zombies get into the stories, but they are there.  As though in our mind, the apocalypse happening in the future would turn many of us into the rotting zombies.  Dead, but not quite dead.

Warm Bodies in essence is a story about a zombie named R and a human girl called Julie.  And R has a friend called M.  Do the names like Romeo, Montague, and Juliet ring a bell?  It seems that Shakespeare would continue to inspire, all the way to the apocalypse and beyond.

This story is interesting because it is told from the perspective of a zombie.  R narrates most of the plot.  The way he sees things, the first time he falls in love and somehow manages to suppress his hunger for Julie’s brain.  Zombies eat human brains for the memories within, and to feel human again for a short while.  There seems to be a constant yearning for the zombies to feel human.  Indeed, this love between R and Julie has triggered an effect to the zombie community and turning them warm.  Hence the film’s title, Warm Bodies.

The relationship between zombies and human is slightly more complicated than us versus them.  Zombies that have given up hope to feel human again turn into skeletons.  In this three-way relationship, zombies emerge as the protagonists while flaws from the human and the skeleton such as apathy and distrust would leave the audience something to think about.

The morale of the story if I may add would be such.  Healing between groups of different people – be it as rich and poor, healthy and disabled, different religions and non-believers, and different cultures – would start with acceptance and love.  Change is possible.  Casting away prejudice and fear so as to see things from a different perspective.  Realizing that the very thing you fear about the other one could well be the same thing the other one too fear of.  And perhaps, we are not that different after all.

Categories
Animation Foreign Movie Reviews

Chico And Rita – A Spanish Animation Film Of Love And Music

A Spanish animation film

The 8th Spanish Film Festival in Singapore is ending soon.  See if you can catch Chico & Rita (2010) at The Arts House today.  Admission is free on a first come basis.

Chico & Rita is a Spanish animated feature-length film.  The first that was nominated for the Oscar.  The artwork is beautiful.  Each frame could well be made into a wall painting.  The soundtrack throughout the film is equally beautiful, especially for the jazz music lover.  Set in Cuba, a pianist called Chico meets a singer called Rita.  And they have fallen in love.  However, circumstances seem to often get into their way.  Chico & Rita is a journey of love and music from Cuba’s Havana to New York and Las Vegas in a span of five decades.  Due to the rich history behind Chico & Rita and the fact that many of Havana’s pre-revolutionary buildings had decayed, the filmmakers have looked into the photograph archive in order to recreate the era and the mood.

This story is rather dark.  So is the mood.  Perhaps it is the pain the gives forth such beautiful music and inspires such exquisite artwork.

The drawing of Chico & Rita is exquisite.

Categories
Drama Foreign Movie Reviews

Tapas And The 8th Spanish Film Festival Here In Singapore

Tapas (2005) A Spanish Film

Cynthia and I were invited for the opening of the 8th Spanish Film Festival at The Arts House Singapore.  Before the main movie Tapas (2005), a 18 minutes short animation called Tadeo Jones (2007) was played.  Now that I have watched the animation.  It does sound like a reference to the Western version of Indiana Jones.

The main character Tadeo was at home when from his window, he saw a cute dog being thrown into a garage by a delivery man, together with boxes after boxes of mysterious packages.  Feeling the urge to save the dog, Tadeo ventured into the house and discovered a bizarre cult in the mist of an animal sacrificial ritual set in a quasi-Egyptian backdrop.  Not the sort of top quality animation as you would expect from a Hollywood movie of the same era.  The story is entertaining nonetheless.

Tapas (2005) is a mix of characters with individual plots that intertwined with one another.  In a Barcelona suburb, a wife of a self-centered restaurant owner cannot take his husband’s unrealistic demand anymore and has decided to quit being a chef.  And quit being his wife while she is at it.  Meanwhile, a Chinese chef who knows kung fu is happy to take up the job vacancy (and the abuse).  He is in Spain because he wants to be with his love.  A lady who sells chickpeas – among other cooking ingredients – has been in a separation for two years and now being in a cyber relationship with a man from Argentina.  Two young teenagers work at the same supermarket.  One of them is obsessed with Bruce Lee and girls of different nationalities while the other one has fallen in love with the chickpea lady.  Finally, there is an old couple with the woman selling drugs to the young and the man dying of lung cancer.

This film is raw, as in, there is little attractive about the characters and their living conditions.  Yet, it feels so real.  Ordinary people going about with their ordinary life dealing with real life challenges while learning from them.  Of all the sub-plots, I enjoy the story of the old couple the best.  It is heartwarming and heartbreaking at the same time.

The 8th Spanish Film Festival is starting from now till the end of the month.  Every day at 19.30.  Admission is free and the location is at The Arts House.  Check out their website for further information.

8th Spanish Film Festival in Singapore

Categories
Book Reviews Non-Fiction

Neon Angel, A Memoir Of A Runaway By Cherie Currie – A Reread

I read this book ... again.

Very recently, I have imported a new Kindle from Amazon.  I looked through the Kindle eBooks on sales (I always love a good discount be it as video games via Steam or books).  I saw Neon Angel selling at a very reasonable price.  Somehow, I have a feeling that this is going to be a good book.  So I bought it online in a heartbeat.

Of course it is a good book.  I have read it three years ago.  A library copy it was.  I should have checked my website first before buying any books.  Since I have already started rereading it, why not finish the book and see how I feel about it without reading what I wrote three years ago?  Our perception is often affected by our maturity and experiences.  Would I read this any differently?

You may have watched the movie The Runaways.  If you haven’t, here is a quick introduction.

The Runaways was an American all-girl rock band formed in the 70’s.  In 1975, Cherie Curries was recruited into the band at the age of 15 as the lead vocalist.  While Cherie’s involvement with The Runaways lasted only 2 years, it would appear that she has played an important role in the band’s breakthrough and success.  Upon Cherie’s departure, guitarist Joan Jett continued to be the driving force behind the band, together with Sandy West the drummer and Lita Ford the lead guitarist.  But by 1979, the band was officially dissolved.  All four core members continued their solo careers with Sandy died of cancer in 2005.

Neon Angel is a self-biography written by Cherie Currie.  Like most autobiographies, it is hard to tell facts from fictions.  However, the emotion as described in the book appears to be genuine.  There is no bar held on the high’s and low’s that Cherie has experienced in her two years with The Runaways and the decade thereafter, dealing with the aftermath of stardom.

Raped at the age of 15 by her twin sister’s ex-boyfriend, Cherie was acted as an outcast in school, brought up in a dysfunctional family with her beloved daddy moving to another state, and later, her mother remarried and migrated to Indonesia.  Just imagine taking all these in as a 15 years old.  It would not have been easy.  Back in the 70’s – in the era of sex, drug, and rock & roll – David Bowie was Cherie’s idol.  His music was her salvation.  There was so much angst inside so much so that she was the perfect fit for a all-girl rock band as the embodiment of rage and rebellion.  She was the Cherie Bomb, the sex symbol.

The drama escalated after Cherie has joined the band.  There was constantly in-fighting within the band.  The tension between Cherie and her twin sister Marie was getting higher and higher.  Their alcoholic father did not help the situation.  There were early signs of drug use and substance abused.  And then another rape, which was much brutal than the previous one.  It seems to me that throughout her 2 years career with The Runaways and the few years after, Cherie has suffered much as a teenager.  Here are some excerpts from the book.

Something turned off inside of me that day.  Something inside of me snapped, and I stopped caring.  I never wanted to feel like that again, and so I began to learn how to shove those feeling deep, deep down inside of myself to a place where they could not hurt me anymore.  ~ After Cherie’s mother left the country refused to turn around and say goodbye.  Cherie was pinned down by a guard in the airport trying to cross the gate and catch up with her mother for one last time.

Last night I’d discovered what it felt like to be a rock star.  This morning I knew what it felt like to be a whore.  ~ Cherie’s band manager pimped her to a famous teenage idol for sex after her first big concert so as to generate publicity.  She was having a period that night.

Maybe [the doctor] was trying to be kind.  Maybe he didn’t want me to know [the sex of the unborn baby].  I knew for certain that a part of me was gone along with my unborn child.  I’d lost some vital part of myself in that hospital, and I felt instinctively that I would never get it back.  ~ This was after her abortion.  She was three months into her pregnancy while recording her album without even knowing it.

Funny, isn’t it?  After all the things that went on in the band, one of my strongest memories was such a small, quiet moment.  ~ The band was full of internal drama.  In one rare moment, lead guitarist Lita Ford complemented Cherie’s vocal performance during a recording session.

This nightmare went on for six hours.  I can’t even begin to explain what I went through.  It’s hard to tell another person some of the things that man did to me.  What I will say is that the terror, the horror, and the humiliation that he inflicted upon me were even worse than what I imagine hell to be like.  He hurt me with his fists, and with his body.  he did it again, and again, and again.  He thought nothing of hurting me.  Every time I screamed, and I cried, and I begged for mercy, and I bled or I passed out, he seemed to grow stronger, more hateful, more crazed by the lust and the sadism that fueled him.  As the night dragged on and my hellish ordeal continued into the breaking dawn, I came to the realization that this man was going to murder me as soon as he was finished torturing me.  ~ Cherie was kidnapped and brutally assaulted and raped by a man for six hours.  Eventually, the rapist was caught, trialed, and sentenced for one year in jail.

While most of the external events were out of Cherie’s control, the biggest demon turns out to be the one living within her – drug and alcohol abuse.  It has slowly destroyed her, destroyed everything that she has.  Majority of the book is a tragic recollection of a once upon a time rock & roll star and the price she has paid to get there.

Neon Angel is not without a moment of triumph.  Eventually, through persistence, Cherie Currie has emerged clean from drug.  She has constantly reinvent herself from a rock star to an actress, drug counselor for addicted teens and as a personal fitness trainer, and now a chainsaw craving artist who has her art gallery.  Looking back, would she want to change a thing?  This is answered in her afterword written years after the book was published.

Looking back on my life since that fateful day with my niece Cristina, I really see how truly blessed I am.  Many years have passed, we have orbited the sun more than 7,500 times and I have seen such extraordinary things, and had so many profound experiences that I could easily fill the pages of another book.  In the years since the Runaways I have lost some of my dearest friends, and I have reinvented myself time and time again.  But through it all, the wonderment and personal triumph that emerges from the emotional depths I have experienced leave me knowing I wouldn’t have changed a thing.

*     *     *     *     *

Now that you have read the book summary written in 2013, you may wish to click here to read the one that was written in 2010.

Categories
Animation Foreign Movie Reviews

One Piece Film: Z

A film originated from manga.

I have not heard of the manga One Piece until I watched a movie adaptation of the manga.  Naturally, I love anything that is Japanese.  When I first saw the gigantic promotional poster displayed at one of our beloved cinemas, I said to our buddy TK, “Let’s watch this!”  To that he replied, “On!”

Apparently, One Piece is a very popular manga series in Japan, for a very long time.  In this particular movie One Piece Film: Z, there are pirates the supposedly protagonists (I think).  There are the marines who hunt down the pirates.  And there is Commander Z who was a marine, went rogue, and now rages war against the pirates as well as the marines that get into his way.  Each pirate, meanwhile, seems to possess at least one unique power (think X-Men).  As you can imagine, there are tons of combat scenes between the characters.  More or less like a video game.

Unlike other more artistic Japanese animations Cynthia and I have seen, One Piece Film: Z does not require too much thinking.  Just sit back and enjoy the humor and the action.  I am not entirely convinced that the English subtitles convey the original essence well.  I wish there were Chinese subtitles as well.  Usually, for Japanese animation, Chinese subtitles work better than the English ones.

One Piece Film: Z is not a story exploring the abstractness of nature or the emotional vulnerability of character.  It is a film with a decent amount of humor and action that entertains.

Categories
Book Reviews Fiction

Rebecca By Daphne Du Maurier – An Exceptional Read

What an exceptional read.  Reading Rebecca is like reading My Cousin Rachel all over again.  Because I know Du Maurier’s writing style, that she was capable in destroying or even killing off main characters that readers grow to love, it was quite a nerve wrecking experience reading Rebecca.  On top of that, Du Maurier was gifted in writing suspense novels as well as breathing life to her characters.  This makes Rebecca a thrilling read, from start to finish.

I read Rebecca on our trip to Hong Kong

One year ago, after reading the library copy of My Cousin Rachel, I love the book so much that I bought a copy for my keeping.  While I was at it, I bought a copy of Rebecca too.  I have been wanting to read Rebecca for quite some time.  Haven’t got around to.  On our recent trip to Hong Kong, I brought it along as my reading companion.

Although Rebecca was first published in 1938, I found it as entertaining as some of the modern literature published today.  There are four major components in this book.  Manderley, which is an estate dominating the entire story, with a west wing facing the sea and an east wing facing a rose garden.  Max de Winter, who owns and lives in Manderley.  Rebecca – Max’s first wife and is dead.  The narrator – Max’s current wife and remains nameless throughout the book.

Rebecca is intriguing in a couple of ways.  Rebecca is dead, since the beginning of the book.  Yet, under the hands of Du Maurier, this character has come alive through the recollections of others, the metaphors that represent her, the legacy Rebecca has left behind, even the drama that still continues.  It is as though her presence and physical dominance is felt strongly throughout the book, as a dead character.  It is only fitting that the book is titled as such.

The narrator – also presence throughout the book – on the other hand, is very different from the Rebecca character.  She is shy and young.  Coming from a humble background, the narrator is socially awkward and unsophisticated.  She is the opposite of Rebecca, and without a name.  She is the living Mrs de Winter but with an identity slowly dissolved away, what good is her existence?  The dualism of Rebecca and the narrator is striking, best to be explained by Sally Beauman in her afterword.

Shy, and socially reclusive, [Daphne Du Maurier] detested the small talk and the endless receptions she was expected to attend and give, in her capacity of commanding officer’s wife [in Egypt].  This homesickness and her resentment of wifely duties, together with the guilty sense of her own ineptitude when performing them, were to surface in Rebecca: they cluster around the two famale antagonists of the novel, the living and obedient second wife, Mrs de Winter, and the dead, rebellious and indestructible first wife Rebecca.  Both women reflect aspects of du Maurier’s own complex personality: she divided herself between them, and the splitting, doubling, and mirroring devices she uses throughout the text destabilise it but give it resonance.  With Rebecca we enter a world of dreams and daydreams, but they always threaten to tip over into nightmare.

The way this story is narrated is worth a mention too.  It starts with a dream by the narrator, on the house Manderley.  It then transits to a present day narration that gives hints to what the ending of the story may be.  The narrator reading a story aloud to a nameless partner that brought her back in time years ago when she was the paid companion for a Mrs Van Hopper doing similar things.  What a full circle.  The flow in time is so smooth that it took me several repeated reading of those pages in order to fully appreciate it.  The story ends with a dream – the only two true dreams in Rebecca – that wraps it back to the beginning.  The ending is so abrupt that left me speechless.

I am torn between My Cousin Rachel and Rebecca.  Till now, I am still unable to decide which one is my favorite.

*     *     *     *     *

An excerpt below demonstrates how Du Maurier brings Rebecca to life literally through the narrator.

[Maxim] did not look at me, he went on reading his paper, contented, comfortable, having assumed his way of living, the master of his house.  And as I sat there, brooding, my chin in my hands, fondling the soft ears of one of the spaniels, it came to me that I was not the first one to lounge there in possession of the chair; someone had been before me, and surely left an imprint of her person on the cushions, and on the arm where her hand had rested.  Another one had poured the coffee from that same silver coffee pot, and placed the cup to her lips, had bent down to the dog, even as I was doing.

Unconsciously, I shivered as though someone had opened the door behind me and let a draught into the room.  I was sitting in Rebecca’s chair, I was leaning against Rebecca’s cushion, and the dog had come to me and laid his head upon my knee because that had been his custom, and he remembered, in the past, she had given sugar to him there.

And as in her previous book My Cousin Rachel, there is some interesting observations that may still ring truth today.

‘You have qualities that are just as important, far more so, in fact.  […]  … but I should say that kindness, and sincerity, and – if I may say so – modesty are worth far more to a man, to a husband, than all the wit and beauty in the world.’

Categories
Fantasy & Sci-fi Movie Reviews

Upside Down – Weirdest, The Most Fascinating Sci-Fi Film Of Late

What a sci-fi movie!

This movie UPSIDE NMOⱭ is so weird, in a good way.  If you have decided to watch this at a cinema, it is of vital importance that you don’t miss the beginning of the show.  Otherwise, you would end up clueless all the way till the end.  Before I write more on the movie, here is a little story of how Cynthia and I were nearly late for Upside Down.

Our buddy TK has bought the tickets, on a Sunday morning, while Cynthia and I were doing housework.  Such great friend he is.  The Google+ event invite said 7.20 pm.  4.43 pm, TK messaged us saying that he has parked the car at the cinema.  I replied, “So early?!”  Then he told us that oops, the show was going to start at 5.20 pm instead of 7.20 pm.  No time to argue.  I quickly jumped out of my computer chair, dashed into the toilet, and changed.  By the time I reached our condo lobby, it was 4.58 pm.  We have 22 minutes to run to our car, drive into Orchard – which is 15 km away from our home – find a parking lot, take a lift from basement to level 1, switch to another lift in order to reach level 5, pop into the toilets for a quick release, take the escalator from level 5 to level 6, and run into the movie theater.

We missed it by 1 minute.  It was all good.  The movie was not started.  Certainly the most exciting thing we have done in the entire weekend.  Maybe the entire 2013 thus far.

Now, back to the movie, in case you may miss the first couple of minutes of the show, in this alternative reality of one moon and two worlds, here are the three rules.  Yep.  Like all good sci-fi stories, there are three rules.

  1. All matter is pulled by the gravity of the world that it comes from, and not the other.
  2. An object’s weight can be offset by matter from the opposite world (inverse matter).
  3. After some time in contact, matter in contact with inverse matter burns.

Because the two worlds co-exist in an upside down fashion, the entire movie is – for lack of better word – weird.  People from either world interact in an upside manner.  From the presentation point of view, some clips are shot upside down.  It may sound strangely uncomfortable.  But it works surprisingly well on screen.

The two worlds are not equal.  As an analogy, think of the age of colonization.  The ‘down’ world supplies the resource to the ‘up’ world to value-add and the products are sold back to the ‘down’ world.  Hence, the ‘up’ world is rich while the ‘down’ world is not.  People from either world do not visit the world they do not belong (see rule #1).  They may interact at mid points.  Like the mid-floor of a tall building that connect between the two worlds.

With this setup, it seems impossible for people from different worlds to fall in love.  But, the forbidden love affair is the essence of the story.  Jim Sturgess plays the Adam character who comes from the ‘down’ world while Kristen Dunst plays the ‘up’ world Eden character.  Jim Sturgess, I must say, is very charming on screen.  His narration though, is utterly lifeless to me.  That is my only complain to this movie.  Interestingly, almost too coincidentally, Kristen Dunst has outdone her signature-upside-down-Spiderman-kiss with an … even better upside-down kiss in this movie.

The chemistry between Adam and Eden is convincing.  Such a joy to watch.  I would say, some of the kissing scenes rival those from … Twilight.  And because I was so much drawn by the romance bits, some of the sci-fi bits might have been overlooked until I walked out from the theater.  For example, can two persons from either world be in contact with one another for long?  Wouldn’t they catch fire?  Can a person from the ‘down’ world consume food from the ‘up’ world?  Wouldn’t that person’s stomach burn?  Is it possible that two planets maintain a consistent distance so much so that a building that connects the two planets does not get torn apart?  How do people from different worlds procreate?  Wouldn’t the womb … burn?

Even more strangely, the film starts with a Chinese production company logo and ends with a song in Chinese.  Perhaps I am thinking too much.  There seems to be a sequel though.  We shall see.  I enjoy watching UPSIDE NMOⱭ.  It is likely to be a sci-fi story that blows your mind away.

Categories
Drama Foreign Movie Reviews

A Royal Affair – A Danish Film Of A Mad King, A Lonely Queen, And A Visionary Physician

A Danish movie

The title says it all.  Set in the 18th century, Danish King Christian VII was mentally unwell.  Caroline Mathilde from Great Britain was married to Christian at the age of 15 and became queen.  German physician Johann Friedrich Struensee had attended the king’s sickness.  In the mist of it, he had become the king’s trusted friend and later on, an affair with the young and lonely queen.  As the king’s close friend, the physician played an essential part in shaping the country’s policies, which until now, had been mostly ruled by the Council due to the king’s sickness.  As the queen’s lover, the physician risked throwing away the political progress he had gained, which was ultimately the progress of the country.

I love watching European films inspired by historical events.  The plot is less formulaic than, say, a Hollywood movie.  European filmmakers tend to take their time in giving the film a treatment it deserves.  A Royal Affair is a 137 minutes long movie.  The story is engaging so much so that I wish the ending could have been expanded in some ways, rather than a paragraph of words or two on the screen.  The cinematography is beautiful.  Each frame’s composition is an art.  The music score is good too.  It goes well with the plot’s development.

Mads Mikkelsen’s role and the fact that he can act is a surprise to me.  He is often seen in Western movies as a villain (like many foreign artists come to think on it).  In A Royal Affair, he could well be a hero of the country.  He has a set of visionary policies based on his freethinking ideals.  Unfortunately, he was ahead of his time.  His policies were  implemented only by the next generation.  This prompted TK and I to reflect upon our local political atmosphere. We joked that the reason why A Royal Affair is being rated M18 in Singapore  is due to its anti-establishment sentiment.  There is very little blood and gore, equally little sex.  The most I would rate is a NC16.

Swedish actress Alicia Vikander looks really young in this movie.  Having read the history, I can understand why.  It is pretty hard to act mentally unstable.  All credit to Mikkel Følsgaard’s boyish performance.  He is funny to watch but not without inducing a sense of pity from the audience.  At times, I could feel the king’s internal struggle as he threaded between the line that separate sanity from insanity.

Royal affair is a messy business.  But at least, for this historical story, there was something good coming out from it.

Categories
Book Reviews Non-Fiction

Jerusalem: The Biography By Simon Sebag Montefiore

A biography on Jerusalem from 160 BC till modern day.

I did not think that I could finish reading Jerusalem: The Biography – a history book thick as a dictionary.  But I did.  All thanks to the author’s entertaining writing style in presenting the history of Jerusalem from 160 BC to present time.  For majority part of the book, it reads like George R. R. Martin’s A Game of Thrones.  History is so full of blood and gore, scandalous sex and money, politics and betrayal, and bribery of all sorts.  It is hard to imagine that within a tiny city called Jerusalem, so many times she has fallen to different rulers, her people have been massacred for so many centuries.  At times I wonder: What would God think of all these?  Religions can be such a torment to our human race.

I have always been intrigued by the history of the three monotheistic religions namely Judaism, Christianity, and Islam, as well as the history of Israel and her people.  I have read books written by Karen Armstrong.  My immense interest to this topic perhaps leads to my UK blogger friend Jo’s personal recommendation of this book to me.  Her review of Jerusalem: The Biography can be found in here.  As always, her write-up is not to be missed.

Reading Montefiore’s Jerusalem, in parts, very much like reading Armstrong’s Holy War.  In Karen Armstrong’s Holy War, she wrote about the crusades and their impact on today’s world.  It is a book with a history encompassing the three religions stretches from 1095 AD to present time.  From the historical viewpoint, these two books overlap.  Armstrong tackles the topic in a much greater depth and analysis while Montefiore’s ‘page-turner’ easy-to-read approach makes it more accessible to mortal readers like me.  Maybe that is the reason why I manage to finish reading Montefiore’s Jerusalem and not Armstrong’s Holy War.  Now that I have a better grasp of the history of Jerusalem, I may give Holy War another go.

Montefiore divides his book into nine parts, with a prologue and an epilogue.  On average, each chapter is no more than 10 pages in length.  There are page-turner worthy hooks built onto each chapter that lead the readers onto the following chapters.  The book starts with Judaism and Paganism that leads to Christianity and Islam – two-fifth of the book’s volume covering a time period of 160 BC to 1099.  Then the Crusade, Mamluk, Ottoman, and Empire – another two-fifth of the book until the year 1905.  The rest of the book is devoted to Zionism.

The challenge of reading a history book – to me – is that it is hard to relate to a character born and died so many years ago.  I may have a mental recollection of what Yasser Arafat or Ariel Sharon’s behavior like.  But not for most of the pivoted figures in the history of Jerusalem.  To that extend, Montefiore has done a meticulous job in supplying the readers a physical description of a character if possible – from paintings or literature – as well as juicy gossips from the past.  On top of that, the author often adds his share of opinions especially when he speculates that the written history or documentations may have been distorted or exaggerated.

Here lies the challenge.  Shall we – the readers – take in all that the author writes and accept this book as the biography of Jerusalem?  Should a biography be challenged, especially when it touches onto the materials from the Holy Books such as The Bible?

My background is only limited to Christianity.  The following excerpt intrigues me.

Pilate toyed with releasing one of these prisoners.  Some of the crowd called for Barabbas.  According to the Gospels, Barabbas was released.  The story sounds unlikely: the Romans usually executed murderous rebels.  Jesus was sentenced to crucifixion while, according to Matthew, Pilate ‘took water and washed his hands before the multitude, saying, I am innocent of the blood of this just person’.

‘His blood be upon us and our children,’ replied the crowd.

Far from being a mealy-mouthed vacillator, the violent and obstinate Pilate had never previously felt the need to wash his hands before his blood-letting.

I am unsure if my friends of the Islam faith would too find similar debates within the book.  Fortunately, I am pretty open-minded about my religion.  I read some of these debates as alternative views with only slight discomfort at times.  All in all, Montefiore has stayed out of many sensitive topics such as the resurrection of Jesus with a simple sentence: For those who do not share this faith, the facts are impossible to verify.

The last part of the book – Zionism – that takes up one-fifth of the book’s volume is pretty dry to read.  A similar dryness that prompted me to stop reading Karen Armstrong’s Holy War.  It appears to me that as we have more means to record history, history becomes less colorful.  Or perhaps, the way of life in the past is always intriguing to look at while modern day history is more like the current affair that we read everyday.

Entertainment value aside, Jerusalem has depicted a complex background that opens up my eyes.  I enjoy reading the epilogue’s This Morning the most.  It is a vivid recount of how each of the three monotheistic religions start the day in Jerusalem.  The rabbi and the Wall, Nusseibeh and the opening of the Church of the Holy Sepulchre, Ansari and the gates of the Haram, and Qazaz and al-Aqsa.  It is this complex heritage that shapes Jerusalem – and by and large the world – today.  If there is one thing that I have learned from the history of this Holy City, there will be no peace till the end of time and our religious beliefs will continue to fragment drawing out more conflicts as our civilization progresses. The fact that Jerusalem is a physical location with historical sites shared by the three monotheistic religions (as well as the sects fragmented within) forces us to come face-to-face with this seemingly impossible task of reconciliation.

It is now one hour before dawn on a day in Jerusalem.  The Dome of the Rock is open: Muslims are praying.  The Wall is always open: the Jews are praying.  The Church of the Holy Sepulchre is open: the Christians are praying in several languages.  The sun is rising over Jerusalem, its rays marking the light Herodian stones of the Wall almost snowy – just as Josephus described it two thousand years ago – and then catching the glorious gold of the Dome of the Rock that glints back at the sun.  The divine esplanade where Heaven and Earth meet, where God meets man, is still in a realm beyond human cartography.  Only the rays of the sun can do it and finally the light falls on the most exquisite and mysterious edifice in Jerusalem.  Bathing in glowing in the sunlight, it earns it auric name.  But The Gold Gate remains locked, until the coming of the Last Days.

Publisher: Vintage
ISBN-10: 0307280500
ISBN-13: 978-0307280503

*     *     *     *     *

The following excerpts have left a strong impression to me and I wish to share them with you here.  Maybe too much Shakespeare I have read in the past.  Also, these excerpts I hope can illustrate the writing style of the author.

The first excerpt is a colorful prelude of Antony and Cleopatra and the war for the world.

The Egyptian queen progressed home to Alexandria.  There Antony, in a spectacular ceremony, raised Cleopatra to ‘Queen of Kings’.  Caesarion, her son by Caesar, now thirteen years old, became her co-pharaoh, while her three children by Antony became kings of Armenia, Phoenicia and Cyrene.  In Rome, this Oriental posing appeared unRoman, unmanly and unwise.  Antony tried to justify his Eastern wassails by writing his only known work of literature titled ‘On His Drinking’ – and he wrote to Octavian, ‘Why have you changed?  Is it because I’m screwing the queen?  Does it really matter where or in whom you dip your wike?’  But it did matter.  Cleopatra was seen as fatale monstrum.  Octavian was becoming ever stronger as their partnership fell apart.  In 32 BC, the Senate revoked Antony’s imperium.  Next Octavian declared war on Cleopatra.  The two sides met in Greece: Antony and Cleopatra mustered his army and her Egyptian-Phoenician fleet.  It was a war for the world.

The second excerpt recounts the clever politics played by Herod and it has an artistic touch to Antony and Cleopatra’s demises.

Herod again prepared for death, leaving his brother Pheroras in charge and, just to be safe, having old Hyrcanus strangled.  He placed his mother and sister in Masada while Mariamme [his wife] and Alexandra [his wife’s mother] were kept in Alexandrium, another mountain fortress.  If anything happened to him, he again ordered that Mariamme was to die.  Then he sailed for the most important meeting of his life.

Octavian received him in Rhodes.  Herod handled the meeting shrewdly and frankly.  He humbly laid his diadem crown at Octavian’s feet.  Then instead of disowning Antony, he asked Octavian not to consider whose friend he had been but ‘what sort of friend I am’.  Octavian restored his crown.  Herod returned to Jerusalem in triumph, then followed Octavian down to Egypt, arriving in Alexandria just after Antony and Cleopatra had committed suicide, he by blade, she by asp.

The third excerpt Justinian and the Showgirl Empress introduces Theodora, queen to the last Latin-speaking emperor of the east.

[Justinian] did not come to power alone: his mistress Theodora was the daughter of the Blue chariot-racing team’s bear-trainer, raised among the sweaty charioteers, louche bathhouses and bloody bearpits of the Constantinople hippodrome.  Starting as a pre-pubescent burlesque showgirl, she was said to be a gymnastically gifted orgiast whose specialty was to offer all three orifices to her clients simultaneously.  Her nympho-maniacal party piece was to spread-eagle herself on stage while geese pecked grains of barley from ‘the calyx of this passion flower’.  The sexual details were no doubt exaggerated by their court historian, who must secretly have resented the sycophancy of his day job.  Whatever the truth, Justinian found her life-force irresistible and changed the law so that he could marry her.

The last excerpt illustrates one of the many bloody conflicts we have seen in the history of time.  Key words are ‘lamb stew’ and ‘hot dry air’.

Abu al-Abbas declared himself caliph and invited the Umayyads to a banquet to declare his peaceful intentions.  In the midst of the feast, the waiters drew out clubs and swords and butchered the entire family, tossing the bodies into the lamb stew.  The Slaughterer himself died soon afterwards but his brother Mansur, the Victorious, systematically murdered the Alid family and then liquidated the overmighty Abu Muslim too.  His perfumier, Jamra, later told how Mansur kept the keys of a secret storeroom which was to be open only on his death.  There his son later found a vaulted chamber filled with the bodies, each meticulously labelled, of the family of Ali from old men to infants, whom Mansur had killed, all preserved in the hot dry air.

Categories
Drama Foreign Movie Reviews

The Grandmaster – A Film On The Life Stories Of Yip Man And Gong Er

An art house type of movie

To fully appreciate this Chinese movie, you probably need to understand the language, the culture, as well as the martial arts within.  It is not unusual for the olden day Chinese to speak in metaphors.  My dad still does too.  The English subtitles can be quite misleading at times.  What if you don’t understand Chinese but you are curious about The Grandmaster?  I suppose even if you can only get the essence of it, it may still be worthwhile provided that you enjoy watching art house type of movies or you are a fan of the leading actor and actress.

The backdrop is enticing.  A story told from Yip Man’s perspective (he who was Bruce Lee’s teacher).  From Yip Man’s age of 40 till his old age.  Upon the then-grandmaster’s retirement, while the northern China’s grandmaster title was given to Ma San, it was of the old grandmaster’s wish to pass the southern China title to a southerner.  Hence the introduction of Yip Man.

Tony Leung is quite possible one of the best actors I have seen.  He truly can act with just his eyes.  That heighten alertness in face of a real challenge, confidence with a hint of playfulness during a friendly duet, that moment of being mesmerized by the opposite sex, pain and despair, heartache and resignation, or simply that pair of weary eyes having seen too much in life.  It is a real treat to see him act as Yip Man.  This movie has provided him much opportunity to shine.

Zhang Ziyi plays the role of Gong Er, the daughter of the then-grandmaster.  While the range of emotion given is not as wide as Yip Man’s role, Zhang Ziyi has certainly chilled me with her coldness, pained me with her rare tenderness.  Her acting too is convincing.

The martial art scenes are pretty impressive.  With modern technology and the extreme slow motion close-up playback, the action is exciting to watch.  But here lies the problem.  The director Wong Kar-wai has cast this film in an art house setting (like his last movie My Blueberry Nights).  Take away the breathtaking action and the engaging acting is a series of artistic shots such as water peddles and street scenery, Buddha statues and candles.  The gaps can be extremely slow.  I found myself wanting to see the next action or acting scene and skip the excessive artistic frames.

One good example is the character Yixiantian “The Razor”.  The film has devoted quite a bit of airtime to develop The Rezor.  He has absolutely zero contribution to the main story except that one interaction he has with Gong Er on a train.  Even that does not materialize into anything.  The story goes on telling more about The Razor – humorous I must say – whereby taking all in, I wouldn’t miss a thing if the director has decided to cut this character away.  Maybe I am missing something significant here.  I don’t know.

Also, the resolution between Yip Man and his wife (played by a Korean actress Song Hye-kyo) appears to be fuzzy.  Is it because there is a lack of real life documentation of his marriage?  Or is it the director’s intention to have us thinking?  I thought for a bit.  Then I gave up.

Another of his movie that is low in entertainment but probably high in artistic value.