CMT Crossroads Taylor Swift & Def Leppard (1998) / RED Taylor Swift (2012)

Once fine day, I saw a video clip posted by one of the Google+ users featuring Taylor Swift and Def Leppard performing Hysteria.  That electrifying performance is tantalizing in so many different ways.  First, as a huge fan of Def Leppard, to be able to see them perform live at this age, I mean, these guys still have it.  They still rock.  Later on, I read that Taylor Swift did this Crossroads collaboration partly because her mother is a big fan of Def Lepard.  That is kind of sweet of her.  Second, as you may have already known, I am a mega fan of Taylor Swift.  I am keen to see what the outcome of this collaboration would be, between a classic band like Def Leppard and a successful young female artist Taylor Swift one generation apart whereby the only commonality is the pop genre.

The main presentation has a total of eight songs.  Four tracks are from Def Lappard namely Photograph, Hysteria, When Love & Hate Collide, and Pour Some Sugar on Me.  Another four are Taylor Swift’s Picture to Burn, Love Story, Teardrops on My Guitar, and Should’ve Said No.  In addition, as bonus materials, there are three more tracks: Love, Our Song, and the all acoustic Two steps behind.

All the songs are nicely done.  Joe Elliott and Taylor Swift duet on each other’s songs.  Two bands are merged, very much like jamming on stage.  While I love all the tracks on this recording, When Love & Hate Collide and Teardrops on My Guitar stand out as my favorite tracks.  Interlaced onto the live performance is a set of interview that lends insight on the musical journey of both artists.  What a gem this DVD is.

RED

I wasn’t too sure if I would love Taylor Swift’s fourth album RED.  But I have a high level of anticipation nonetheless.  I like her country root.  Over the year, she seems to have spilled over to the pop genre.  When We Are Never Ever Getting Back Together first debuted on Google Hangout, I wasn’t sure what to make out of it.  That song does grow on me over time, like the rest of RED.  One good thing about her experimental journey in collaborating with other artists such as Gary Lightbody of Snow Patrol is that it shows a different side of her.  A sign of growth and maturity, which in turn influences her own production.

My favorite tracks though as the ones written by her in entirety.  As well as All Too Well that is co-written with Liz Rose.  The Liz Rose and Taylor Swift collaboration has produced 16 songs including White Horse, Teardrops on My Guitar, and You Belong with Me.  I am hoping for more like these in the future.

Has anyone managed to crack the codes in her lyrics by picking out all the oddly capitalized letters?  I have tried but have given up.

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